printलघुसिद्धान्तकौमुदी — practise the grammar

मेघदूतम् · कालिदास · 1.32

उज्जयिनी · the markets and their jewels

हारांस्तारांस्तरलगुटिकान् कोटिशः शङ्खशुक्तीः

हा
रां
स्ता
रां
स्त
र
ल
गु
टि
का
न्को
टि
शः
श
ङ्ख
शु
क्तीः

शष्पश्यामान् मरकतमणीनुन्मयूखप्ररोहान्

श
ष्प
श्या
मा
न्म
र
क
त
म
णी
नु
न्म
यू
ख
प्र
रो
हान्

दृष्ट्वा यस्यां विपणिरचितान् विद्रुमाणां च भङ्गान्

दृ
ष्ट्वा
य
स्यां
वि
प
णि
र
चि
ता
न्वि
द्रु
मा
णां
च
भ
ङ्गान्

संलक्ष्यन्ते सलिलनिधयस्तोयमात्रावशेषाः

सं
ल
क्ष्य
न्ते
स
लि
ल
नि
ध
य
स्तो
य
मा
त्रा
व
शे
षाः

pāda a

  • हाguruits long vowel आ
  • रांguruthe anusvāra it carries
  • स्ताguruits long vowel आ
  • रांguruthe anusvāra it carries
  • स्तlaghuits short vowel, with a single consonant after it
  • रlaghuits short vowel, with a single consonant after it
  • लlaghuits short vowel, with a single consonant after it
  • गुlaghuits short vowel, with a single consonant after it
  • टिlaghuits short vowel, with a single consonant after it
  • काguruits long vowel आ
  • न्कोguruits long vowel ओ
  • टिlaghuits short vowel, with a single consonant after it
  • शःguruthe visarga it carries
  • शguruthe conjunct ङ्ख that follows it
  • ङ्खlaghuits short vowel, with a single consonant after it
  • शुguruthe conjunct क्त that follows it
  • क्तीःguruthe visarga it carries
  • yati after 4 — it falls inside तारान्
  • yati after 10 — a word ends here — हारांस्तारांस्तरलगुटिकान्

pāda b

  • शguruthe conjunct ष्प that follows it
  • ष्पguruthe conjunct श्य that follows it
  • श्याguruits long vowel आ
  • माguruits long vowel आ
  • न्मlaghuits short vowel, with a single consonant after it
  • रlaghuits short vowel, with a single consonant after it
  • कlaghuits short vowel, with a single consonant after it
  • तlaghuits short vowel, with a single consonant after it
  • मlaghuits short vowel, with a single consonant after it
  • णीguruits long vowel ई
  • नुguruthe conjunct न्म that follows it
  • न्मlaghuits short vowel, with a single consonant after it
  • यूguruits long vowel ऊ
  • खguruthe conjunct प्र that follows it
  • प्रlaghuits short vowel, with a single consonant after it
  • रोguruits long vowel ओ
  • हान्guruthe end of the pāda, which counts the last syllable heavy
  • yati after 4 — a word ends here — शष्पश्यामान्
  • yati after 10 — it falls inside the compound मरकतमणीन्

pāda c

  • दृguruthe conjunct ष्ट्व that follows it
  • ष्ट्वाguruits long vowel आ
  • यguruthe conjunct स्य that follows it
  • स्यांguruthe anusvāra it carries
  • विlaghuits short vowel, with a single consonant after it
  • पlaghuits short vowel, with a single consonant after it
  • णिlaghuits short vowel, with a single consonant after it
  • रlaghuits short vowel, with a single consonant after it
  • चिlaghuits short vowel, with a single consonant after it
  • ताguruits long vowel आ
  • न्विguruthe conjunct द्र that follows it
  • द्रुlaghuits short vowel, with a single consonant after it
  • माguruits long vowel आ
  • णांguruthe anusvāra it carries
  • चlaghuits short vowel, with a single consonant after it
  • भguruthe conjunct ङ्ग that follows it
  • ङ्गान्guruthe end of the pāda, which counts the last syllable heavy
  • yati after 4 — a word ends here — यस्यां
  • yati after 10 — a word ends here — विपणिरचितान्

pāda d

  • संguruthe anusvāra it carries
  • लguruthe conjunct क्ष्य that follows it
  • क्ष्यguruthe conjunct न्त that follows it
  • न्तेguruits long vowel ए
  • सlaghuits short vowel, with a single consonant after it
  • लिlaghuits short vowel, with a single consonant after it
  • लlaghuits short vowel, with a single consonant after it
  • निlaghuits short vowel, with a single consonant after it
  • धlaghuits short vowel, with a single consonant after it
  • यguruthe conjunct स्त that follows it
  • स्तोguruits long vowel ओ
  • यlaghuits short vowel, with a single consonant after it
  • माguruits long vowel आ
  • त्राguruits long vowel आ
  • वlaghuits short vowel, with a single consonant after it
  • शेguruits long vowel ए
  • षाःguruthe visarga it carries
  • yati after 4 — a word ends here — संलक्ष्यन्ते
  • yati after 10 — it falls inside the compound सलिलनिधयः

The list runs on word-final म् and visarga, and the verse shows what each does. यस्यां विपणिरचितान् and विद्रुमाणां च keep the म् as अनुस्वार before a consonant (Pāṇini 8.3.23), and before the च the अनुस्वार then takes on the following sound to become ञ् (8.4.59). सलिलनिधयस्तोयमात्रावशेषाः is the visarga's other outcome: सलिलनिधयः ends in visarga, and before the dental त् it turns to स् (8.3.34), so the two words print joined as सलिलनिधयस्तोय-. मरकतमणीनुन्मयूखप्ररोहान् is a न् meeting a vowel: the न् simply carries onto the उ with no change. Inside the compounds the vowels fuse — तरल + गुटिका, शष्प + श्याम — each an अ running onto the next consonant with nothing to report.

  • Chinnaya Sūri, Bālavyākaraṇam — సంధిపరిచ్ఛేదము; vendor/balavyakaranam-sandhi.txt

  • हारान् द्वितीया · accusative — कर्म, the object

    with तरलगुटिकान्

  • तारान् द्वितीया · accusative — कर्म, the object

  • शङ्खशुक्तीः द्वितीया · accusative — कर्म, the object

  • मरकतमणीन् द्वितीया · accusative — कर्म, the object

    with शष्पश्यामान्, उन्मयूखप्ररोहान्

  • यस्याम् सप्तमी · locative — अधिकरण, the location

  • विपणिरचितान् द्वितीया · accusative — कर्म, the object

  • विद्रुमाणाम् षष्ठी · genitive — सम्बन्ध, a relation to another word

  • भङ्गान् द्वितीया · accusative — कर्म, the object

  • सलिलनिधयः प्रथमा · nominative — कर्ता, the agent

    with तोयमात्रावशेषाः

प्रकरण 1 · हलन्त्यम्

  • हलन्त्यम् 1.3.3← विपणिरचितान्; विद्रुमाणाम्; संलक्ष्यन्ते
  • तस्य लोपः 1.3.9← हारान्; तारान्; तरलगुटिकान्; शष्पश्यामान्; मरकतमणीन्; उन्मयूखप्ररोहान्; विपणिरचितान्; विद्रुमाणाम्; भङ्गान्; संलक्ष्यन्ते; सलिलनिधयः; तोयमात्रावशेषाः
  • सुप्तिङन्तं पदम् 1.4.14← विपणिरचितान्; संलक्ष्यन्ते

प्रकरण 2 · इको यणचि

प्रकरण 3 · स्तोः श्चुना श्चुः

प्रकरण 4 · वा शरि

प्रकरण 5 · अर्थवदधातुरप्रत्ययः प्रातिपदिकम्

प्रकरण 8 · हो ढः

प्रकरण 11 · स्वरादिनिपातमव्ययम्

प्रकरण 12 · लः कर्मणि च भावे चाकर्मकेभ्यः

प्रकरण 21 · सत्यापपाशरूपवीणातूलश्लोकसेनालोमत्वचवर्मवर्णचूर्णचुरादिभ्यो णिच्

प्रकरण 22 · स्वतन्त्रः कर्ता

प्रकरण 30 · भावकर्मणोः

प्रकरण 34 · ण्वुल्तृचौ

प्रकरण 36 · तुमुन्ण्वुलौ क्रियायां क्रियार्थायाम्

प्रकरण 59 · इवे प्रतिकृतौ

not in the abridgement

  • अ अ 8.4.68← विपणिरचितान्; संलक्ष्यन्ते

तरलगुटिकान्

तरल · गुटिका

  1. तरलः एव गुटिका

    कर्मधारय — the ball that is the necklace's middle stone

  2. तरलगुटिका येषां तान्

    बहुव्रीहि — the necklaces that carry one

बहुव्रीहि — it refers to हारान्. with a great stone hung at the middle — Mallinātha glosses मध्यमणीभूतमहारत्नान् and gives an authority for each half: Amara for तरल being the gem at a necklace's centre, and the Śabdārṇava for गुटिका reaching from a lump to a great jewel. The compound ends in a feminine ā-stem and comes out masculine, which is what a bahuvrīhi does to one — the mirror of the काञ्चीगुणा of 1.28, where a masculine went feminine the same way

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“taralaguṭikānmadhyamaṇībhūtamahāratnān || “taralo hāramadhyagaḥ” ityamaraḥ || “piṇḍe maṇau mahāratne guṭikā baddhapārade” iti śabdārṇave”

शङ्खशुक्तीः

शङ्ख · शुक्ति

  1. शङ्खाः च शुक्तयः च

    द्वन्द्व — conches and pearl-shells

द्वन्द्व. conches and oyster-shells — Mallinātha keeps them apart with his own च: शङ्खांश्च शुक्तीश्च, and quotes Amara, who lists the two in one line and marks the genders

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“koṭiśaḥ śaṅkhāṃśca śuktīśca || “muktāsphoṭaḥ striyāṃ śuktiḥ śaṅkhaḥ syātkamburastriyau” ityamaraḥ”

शष्पश्यामान्

शष्प · श्याम

  1. शष्पम् इव श्यामान्

    कर्मधारय — green the way new grass is green

कर्मधारय — it agrees with मरकतमणीन्. green as the first blades — Mallinātha glosses शष्प as बालतृण, grass still young, with Amara behind it, and then तद्वत् श्यामान्, dark like that. The comparison sits inside the compound with no इव printed

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“śaṣpaṃ bālatṛṇaṃ tadvacchyāmān || “śaṣpaṃ bālatṛṇaṃ ghāso yavasaṃ tṛṇamarjunam” ityamaraḥ”

मरकतमणीन्

मरकत · मणि

  1. मरकताः एव मणयः

    कर्मधारय — the gems, and they are emeralds

कर्मधारय. emeralds — Mallinātha glosses गारुडरत्नानि, the stone named for Garuḍa, which is the other name the lexicons give the emerald

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“marakatamaṇīn gāruḍaratnāni”

उन्मयूखप्ररोहान्

उद् · मयूख · प्ररोह

  1. उद्गताः मयूखाः

    तत्पुरुष — rays going up

  2. उन्मयूखाः एव प्ररोहाः

    कर्मधारय — and those rays are shoots

  3. उन्मयूखप्ररोहाः येषां तान्

    बहुव्रीहि — the stones that put them out

बहुव्रीहि — it refers to मरकतमणीन्. throwing up shoots of light — Mallinātha glosses उद्गतरम्याङ्कुरान्, lovely sprouts that have come up. The green of the last compound and the sprouting of this one make one figure between them: the emeralds are grass coming through

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“unmayūkhaprarohānudgataramyāṅkurān marakatamaṇīn”

विपणिरचितान्

विपणि · रचित

  1. विपणिषु रचितान्

    तत्पुरुष (locative) — set out in the market rows

तत्पुरुष. laid out in the shop-rows — Mallinātha glosses विपणि as पण्यवीथिका, the lane where goods are sold, with Amara behind it, and रचित as प्रसारित, spread out. Then he says how far the word reaches: इदं विशेषणं यथालिङ्गं सर्वत्र सम्बध्यते, this one adjective goes with every item on the list, taking each one's gender as it goes

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“vipaṇiṣu paṇyavīthikāsu … racitānprasāritān || idaṃ viśeṣaṇaṃ yathāliṅgaṃ sarvatra sambadhyate”

सलिलनिधयः

सलिल · निधि

  1. सलिलस्य निधयः

    तत्पुरुष (genitive) — the hoards of water

तत्पुरुष. the oceans — Mallinātha glosses समुद्राः. The word is a treasury of water, and the verse is about what has been taken out of the treasury

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“salilanidhayaḥ samudrāḥ”

तोयमात्रावशेषाः

तोय · मात्र · अवशेष

  1. तोयम् एव मात्रम्

    कर्मधारय — water and nothing besides

  2. तोयमात्रम् अवशेषः येषां ते

    बहुव्रीहि — the ones with only that left

बहुव्रीहि — it refers to सलिलनिधयः. with water left in them and nothing else — Mallinātha spells the bahuvrīhi out, तोयमात्रावशेषो येषां ते, and then says what kind of seeing this is: तथानुमीयन्ते, they are inferred to be so. Nobody has been to the sea; the market is the evidence

uncheckedMallinātha, Sañjīvinī, in a stanza he prints without a number and calls an interpolation“salilanidhayaḥ samudrāstoyamātrāvaśeṣo yeṣāṃ te tādṛśāḥ saṃlakṣyante | tathānumīyanta ityarthaḥ”

  • a-stem masculine, द्वितीया बहुवचन accusative plural

    हारान्

    printed हारांस्तारांस्तरलगुटिकान्

    हार

    necklaces — Mallinātha glosses मुक्तावलीः, strings of pearls, so the first thing on the list is already the sea's

  • a-stem masculine, द्वितीया बहुवचन accusative plural

    तारान्

    printed हारांस्तारांस्तरलगुटिकान्

    तार

    clear, without a flaw — Mallinātha glosses शुद्धान् and quotes Viśva, who gives तार the purity of a pearl before he gives it anything else

  • a-stem masculine, द्वितीया बहुवचन accusative plural

    तरलगुटिकान्

    printed हारांस्तारांस्तरलगुटिकान्

    गुटिक, the masculine that गुटिका becomes at the end of a bahuvrīhi

    ball, and so a great stone — the Śabdārṇava, whom Mallinātha quotes, runs the word from a lump through a gem to a great jewel. The ā of गुटिका drops to a when the compound describes a masculine

    तरलगुटिकान्, “with a great stone hung at the middle,” is a bahuvrīhi, and it does to a word's gender what a bahuvrīhi does. गुटिका, “a ball, and so a great jewel,” is a feminine ā-stem; but the compound describes the necklaces, हारान्, which are masculine, so the ā drops to a and the stem declines as a masculine, गुटिकान्. Mallinātha glosses मध्यमणीभूतमहारत्नान्, “great jewels that have become the necklace's centre-stone,” and gives an authority for each half: Amara for तरल being the gem at a necklace's middle, and the Śabdārṇava for गुटिका reaching from a lump through a gem to a great jewel. It is the mirror of the काञ्चीगुणा of 1.28, where a masculine went feminine the same way.

    • Mallinātha, Sañjīvinī — 1.32: taralaguṭikānmadhyamaṇībhūtamahāratnān || “taralo hāramadhyagaḥ” ityamaraḥ || “piṇḍe maṇau mahāratne guṭikā baddhapārade” iti śabdārṇave

  • अव्यय

    कोटिशः

    कोटि with शस्

    by tens of millions — the affix शस् makes a number into an indeclinable that says how they come, and Mallinātha construes it with the shells rather than with the necklaces

  • i-stem feminine, द्वितीया बहुवचन accusative plural

    शङ्खशुक्तीः

    शुक्ति

    oyster-shells — the one feminine on the list, which is why Mallinātha stops to say that विपणिरचितान् has to change its gender to reach it

  • a-stem masculine, द्वितीया बहुवचन accusative plural

    शष्पश्यामान्

    श्याम

    dark, green-dark — the word covers both, which is what lets it hold grass and emerald at once

    शष्पश्यामान् and उन्मयूखप्ररोहान् make one small picture between them. श्याम covers both “dark” and “green-dark,” which is what lets the same word hold grass and emerald; शष्प Mallinātha glosses बालतृण, grass still young, with Amara behind it, so the emeralds are “green as the first blades.” Then उन्मयूखप्ररोह, “throwing up shoots of light” (उद्गतरम्याङ्कुरान्, lovely sprouts come up), keeps the plant going: the rays off the stones are read as new growth, so the emeralds are grass coming through. The comparison sits inside the compounds with no इव printed.

    • Mallinātha, Sañjīvinī — 1.32: śaṣpaṃ bālatṛṇaṃ tadvacchyāmān || unmayūkhaprarohānudgataramyāṅkurān marakatamaṇīn

  • i-stem masculine, द्वितीया बहुवचन accusative plural

    मरकतमणीन्

    printed मरकतमणीनुन्मयूखप्ररोहान्

    मणि

    gems — and the compound before it says which: emeralds, the sea's again

  • a-stem masculine, द्वितीया बहुवचन accusative plural

    उन्मयूखप्ररोहान्

    printed मरकतमणीनुन्मयूखप्ररोहान्

    प्ररोह

    shoots — the word is for what a plant sends up, and Mallinātha keeps it there with अङ्कुरान्, sprouts

  • क्त्वा

    दृष्ट्वा

    दृष्ट्वा, from √दृश्

    having seen — the absolutive that holds the whole first half as its object, and the verb it leads to is a passive: seeing them, the oceans are made out

  • pronoun, सप्तमी एकवचन locative singular

    यस्याम्

    printed यस्यां

    यद्

    in which — Mallinātha fills it in, यस्यां विशालायाम्. The city named at 1.30 is still holding these verses up

  • √रच् + णिच् + क्त, द्वितीया बहुवचन accusative plural

    विपणिरचितान्

    रचित, from √रच् with णिच्

    set out — Mallinātha glosses प्रसारितान्, spread for sale, and then says that this word alone is to be construed with every item in the list, changing gender as it goes

    विपणिरचितान्, “laid out in the shop-rows,” is the one adjective the whole list hangs on, and Mallinātha stops to say how far it reaches: इदं विशेषणं यथालिङ्गं सर्वत्र सम्बध्यते, “this one qualifier is construed everywhere, each time in the gender of the thing it qualifies.” So it is masculine over the necklaces and the emeralds, feminine over the oyster-shells, and takes each new gender without being written again. विपणि he glosses पण्यवीथिका, the lane where goods are sold, with Amara behind it, and रचित as प्रसारित, spread out for sale.

    • Mallinātha, Sañjīvinī — 1.32: vipaṇiṣu paṇyavīthikāsu … racitānprasāritān || idaṃ viśeṣaṇaṃ yathāliṅgaṃ sarvatra sambadhyate

  • a-stem masculine, षष्ठी बहुवचन genitive plural

    विद्रुमाणाम्

    printed विद्रुमाणां

    विद्रुम

    of corals — the last of the sea's things, and the only one the verse puts in the genitive: not corals but pieces of them

  • अव्यय

    च

    च

    and — it closes the list, which has run without a joining word until now

  • a-stem masculine, द्वितीया बहुवचन accusative plural

    भङ्गान्

    भङ्ग

    broken pieces — Mallinātha glosses प्रवालखण्डान्, lengths of coral snapped off

  • √लक्ष्, class 10, लट्, passive, third person plural

    संलक्ष्यन्ते

    √लक्ष् with सम्

    are made out — a passive, so nobody is named as doing the seeing. Mallinātha says what kind of seeing it is: तथानुमीयन्ते, they are inferred to be so

    संलक्ष्यन्ते, “are made out,” is a passive, and the passive is the point. No one is named as the seer, and Mallinātha says what the seeing is: तथानुमीयन्ते, “they are inferred to be so.” Nobody in the verse has been to the ocean; the market is the whole of the evidence. Seeing pearls, conches, emeralds and coral piled by the crore in the shop-rows, you conclude — you do not observe — that the seas have been emptied and have only water left. Mallinātha's closing word makes the wealth the real subject: रत्नाकराद व्यतिरिच्यते रत्नसंपद्भिः, the city outdoes the very mine of jewels.

    • Mallinātha, Sañjīvinī — 1.32: saṃlakṣyante | tathānumīyanta ityarthaḥ | ratnākarādapyatiricyate ratnasaṃpadbhiriti bhāvaḥ

  • i-stem masculine, प्रथमा बहुवचन nominative plural

    सलिलनिधयः

    printed सलिलनिधयस्तोयमात्रावशेषाः

    निधि

    treasuries — and the point of calling the sea one is that a treasury can be emptied

  • a-stem masculine, प्रथमा बहुवचन nominative plural

    तोयमात्रावशेषाः

    printed सलिलनिधयस्तोयमात्रावशेषाः

    अवशेष

    remainder — and what the sea has left is the one thing in it that a market will not take

यस्याम् · विपणिरचितान् · तारान् · तरलगुटिकान् · हारान् · कोटिशः · शङ्खशुक्तीः · शष्पश्यामान् · उन्मयूखप्ररोहान् · मरकतमणीन् · विद्रुमाणाम् · भङ्गान् · च · दृष्ट्वा · सलिलनिधयः · तोयमात्रावशेषाः · संलक्ष्यन्ते

uncheckedMallinātha, Sañjīvinī, whose commentary is written as anvaya, in a stanza he prints without a number“yasyāṃ viśālāyāṃ koṭiśo vipaṇiṣu … racitān … hārānmuktāvalīḥ … dṛṣṭvā salilanidhayaḥ … saṃlakṣyante”

the dependency structure

संलक्ष्यन्ते · क्रिया — are made out, and the passive names nobody who does the making-out; Mallinātha says what kind of seeing it is, तथानुमीयन्ते, they are inferred to be so. The market is the evidence; nobody has been to the sea

यस्याम् · अधिकरण — in which, यस्यां विशालायाम्; the city of 1.30 is still holding these verses up

सलिलनिधयः · कर्ता — the oceans, समुद्राः; the grammatical subject of the passive, and the point of calling the sea a treasury of water is that a treasury can be emptied

तोयमात्रावशेषाः · agreeing with the oceans — with water and nothing else left in them, तोयमात्रावशेषो येषां ते

दृष्ट्वा · having seen — the absolutive that holds the whole first half as its object; seeing them, the oceans are made out

विपणिरचितान् · कर्म — set out in the shop-rows, प्रसारितान्; Mallinātha says this one adjective goes with every item on the list, यथालिङ्गं सर्वत्र सम्बध्यते, taking each one's gender as it comes

हारान् · on the list — necklaces, मुक्तावलीः; the first thing named is already the sea's

तारान् · agreeing with हारान् — flawless, शुद्धान्

तरलगुटिकान् · agreeing with हारान् — with a great stone at the middle, मध्यमणीभूतमहारत्नान्

शङ्खशुक्तीः · on the list — conches and oyster-shells

कोटिशः · by the ten million — Mallinātha construes it with the shells, not the necklaces

मरकतमणीन् · on the list — emeralds, गारुडरत्नानि

शष्पश्यामान् · agreeing with the emeralds — green the way new grass is green, शष्पं बालतृणं तद्वच्छ्यामान्

उन्मयूखप्ररोहान् · agreeing with the emeralds — throwing up shoots of light, उद्गतरम्याङ्कुरान्

भङ्गान् · on the list — broken lengths, प्रवालखण्डान्

विद्रुमाणाम् · षष्ठी — of corals; the one thing on the list the verse puts in the genitive, not corals but pieces of them

च · and — it closes the list, which has run without a joining word until now

uncheckedMallinātha’s Sañjīvinī, whose anvaya of this stanza he prints without a number, for the prose order and the reading; the Telugu drawn from Vedam Venkataraya Sastri’s Āndhra Meghasandeśam and the Bālānandinī

Where, seeing what the market rows have laid out — flawless necklaces with a great stone at the middle, conches and oyster-shells by the ten million, emeralds dark as new grass and throwing up shoots of light, and broken lengths of coral — you make out that the oceans have nothing left in them but water.

uncheckedthe reader's reading, following Mallinātha's gloss

Where, seeing what the market rows have laid out — flawless necklaces with a great stone at the middle, conches and oyster-shells by the ten million, emeralds dark as new grass and throwing up shoots of light, and broken lengths of coral — you make out that the oceans have nothing left in them but water.

  • Mallinātha, Sañjīvinī — 1.32, whole-verse gloss

No figure is named for this verse by the commentary this reading follows, so none is shown.