There, on some slab of rock, is the footprint of the god who wears the crescent on his crest, plain to see, with the offering the Siddhas lay on it day after day: bow low in devotion and walk around it. At the sight of that print men of faith have their sins shaken off them, and become fit — once the body they wear has gone from them — to reach the abiding station of Śiva's troops. Mallinātha does not leave the promise on the poet's word. He closes the stanza with two verses of the Śambhurahasya, a tantric authority for the footprint itself: व्यक्तं व्यञ्जयामास शिवः श्रीचरणद्वयम् । हिमाद्रौ शाम्भवादीनां सिद्धये सर्वकर्मणाम् — 'Śiva plainly showed forth his two blessed feet on the Himālaya, for the accomplishment of all rites, the Śāmbhava and the rest' — and then a second verse on what the adept who has seen the print obtains: a body that stays, and with it, his body being subject to his will, the ranging of all three worlds. The stanza is the first place in the canto where the commentary reaches outside grammar and lexicon for a scripture, and it reaches for one because what is being asserted is a fact about the world rather than about a word.
uncheckedthe reader's reading, following Mallinātha's gloss; the two verses at the close are the Śambhurahasya's, quoted by him. One word of the second verse — `sthitaye` in `vendor/meghaduta-sanjivini.itx` — is not legible enough to construe, and only what is legible is rendered“vyaktaṃ vyañjayāmāsa śivaḥ śrīcaraṇadvayam || himādrau śāmbhavādīnāṃ siddhaye sarvakarmaṇām || dṛṣṭvā śrīcaraṇanyāsaṃ sādhakaḥ sthitaye tanum || icchādhīnaśarīro hi vicarecca jagattrayam || iti śambhurahasye”
There, on some slab of rock, plain to see, is the footprint of the god who wears the crescent on his crest, with the offering the Siddhas lay on it day after day: bow low in devotion and walk around it. At the sight of that print men of faith have their sins shaken off, and — once the body they wear has gone from them — become fit to reach the abiding station of Śiva's troops.
- Mallinātha, Sañjīvinī — 1.57, whole-verse gloss