मेघदूतम् · कालिदास · 2.47

संदेश · the north wind embraced, in case it touched her

भित्त्वा सद्यः किसलयपुटान् देवदारुद्रुमाणां

भि
त्त्वा
स
द्यः
कि
स
ल
य
पु
टा
न्दे
व
दा
रु
द्रु
मा
णां

ये तत्क्षीरस्रुतिसुरभयो दक्षिणेन प्रवृत्ताः

ये
त
त्क्षी
र
स्रु
ति
सु
र
भ
यो
द
क्षि
णे
न
प्र
वृ
त्ताः

आलिङ्ग्यन्ते गुणवति मया ते तुषाराद्रिवाताः

आ
लि
ङ्ग्य
न्ते
गु
ण
व
ति
म
या
ते
तु
षा
रा
द्रि
वा
ताः

पूर्वस्पृष्टं यदि किल भवेदङ्गमेभिस्तवेति

पू
र्व
स्पृ
ष्टं
य
दि
कि
ल
भ
वे
द
ङ्ग
मे
भि
स्त
वे
ति

pāda a

  • भिguruthe conjunct त्त्व that follows it
  • त्त्वाguruits long vowel आ
  • सguruthe conjunct द्य that follows it
  • द्यःguruthe visarga it carries
  • किlaghuits short vowel, with a single consonant after it
  • सlaghuits short vowel, with a single consonant after it
  • लlaghuits short vowel, with a single consonant after it
  • यlaghuits short vowel, with a single consonant after it
  • पुlaghuits short vowel, with a single consonant after it
  • टाguruits long vowel आ
  • न्देguruits long vowel ए
  • वlaghuits short vowel, with a single consonant after it
  • दाguruits long vowel आ
  • रुguruthe conjunct द्र that follows it
  • द्रुlaghuits short vowel, with a single consonant after it
  • माguruits long vowel आ
  • णांguruthe anusvāra it carries
  • yati after 4 — a word ends here — सद्यः
  • yati after 10 — a word ends here — किसलयपुटान्

pāda b

  • येguruits long vowel ए
  • तguruthe conjunct त्क्ष that follows it
  • त्क्षीguruits long vowel ई
  • रguruthe conjunct स्र that follows it
  • स्रुlaghuits short vowel, with a single consonant after it
  • तिlaghuits short vowel, with a single consonant after it
  • सुlaghuits short vowel, with a single consonant after it
  • रlaghuits short vowel, with a single consonant after it
  • भlaghuits short vowel, with a single consonant after it
  • योguruits long vowel ओ
  • दguruthe conjunct क्ष that follows it
  • क्षिlaghuits short vowel, with a single consonant after it
  • णेguruits long vowel ए
  • नguruthe conjunct प्र that follows it
  • प्रlaghuits short vowel, with a single consonant after it
  • वृguruthe conjunct त्त that follows it
  • त्ताःguruthe visarga it carries
  • yati after 4 — a compound member ends here, inside तत्क्षीरस्रुतिसुरभयः
  • yati after 10 — a word ends here — तत्क्षीरस्रुतिसुरभयो

pāda c

  • आguruits long vowel आ
  • लिguruthe conjunct ङ्ग्य that follows it
  • ङ्ग्यguruthe conjunct न्त that follows it
  • न्तेguruits long vowel ए
  • गुlaghuits short vowel, with a single consonant after it
  • णlaghuits short vowel, with a single consonant after it
  • वlaghuits short vowel, with a single consonant after it
  • तिlaghuits short vowel, with a single consonant after it
  • मlaghuits short vowel, with a single consonant after it
  • याguruits long vowel आ
  • तेguruits long vowel ए
  • तुlaghuits short vowel, with a single consonant after it
  • षाguruits long vowel आ
  • राguruits long vowel आ
  • द्रिlaghuits short vowel, with a single consonant after it
  • वाguruits long vowel आ
  • ताःguruthe visarga it carries
  • yati after 4 — a word ends here — आलिङ्ग्यन्ते
  • yati after 10 — a word ends here — मया

pāda d

  • पूguruits long vowel ऊ
  • र्वguruthe conjunct स्प that follows it
  • स्पृguruthe conjunct ष्ट that follows it
  • ष्टंguruthe anusvāra it carries
  • यlaghuits short vowel, with a single consonant after it
  • दिlaghuits short vowel, with a single consonant after it
  • किlaghuits short vowel, with a single consonant after it
  • लlaghuits short vowel, with a single consonant after it
  • भlaghuits short vowel, with a single consonant after it
  • वेguruits long vowel ए
  • दguruthe conjunct ङ्ग that follows it
  • ङ्गlaghuits short vowel, with a single consonant after it
  • मेguruits long vowel ए
  • भिguruthe conjunct स्त that follows it
  • स्तlaghuits short vowel, with a single consonant after it
  • वेguruits long vowel ए
  • तिlaghuits short vowel — light on its own, though the pāda ends here
  • yati after 4 — a word ends here — पूर्वस्पृष्टं
  • yati after 10 — it falls inside भवेत्
  • देवदारुद्रुमाणाम् + ये → देवदारुद्रुमाणां

    म् + य्

  • तत्क्षीरस्रुतिसुरभयः + दक्षिणेन → तत्क्षीरस्रुतिसुरभयो

    ः + द्

    no rule named — the builder's table does not hold this change

  • पूर्वम् + स्पृष्टम् → पूर्वस्पृष्टं

    म् + स्

  • भवेत् + अङ्गम् → भवेदङ्गमेभिस्तवेति

    त् + अ

  • अङ्गम् + एभिः → भवेदङ्गमेभिस्तवेति

    म् + ए

    no rule named — the builder's table does not hold this change

  • एभिः + ते → भवेदङ्गमेभिस्तवेति

    ः + त्

  • ते + इति → भवेदङ्गमेभिस्तवेति

    ए + इ

    no rule named — the builder's table does not hold this change

  • किसलय + पुट → किसलयपुटान्

    अ + प्

    no rule named — the builder's table does not hold this change

  • देवदारु + द्रुम → देवदारुद्रुमाणाम्

    उ + द्

    no rule named — the builder's table does not hold this change

  • तद् + क्षीर → तत्क्षीरस्रुतिसुरभयः

    द् + क्

  • क्षीर + स्रुति → तत्क्षीरस्रुतिसुरभयः

    अ + स्

    no rule named — the builder's table does not hold this change

  • स्रुति + सुरभि → तत्क्षीरस्रुतिसुरभयः

    इ + स्

    no rule named — the builder's table does not hold this change

  • तुषार + अद्रि → तुषाराद्रिवाताः

    अ + अ → आ · falls inside the syllable रा

  • अद्रि + वात → तुषाराद्रिवाताः

    इ + व्

    no rule named — the builder's table does not hold this change

भवेत् + अङ्गम् makes भवेदङ्गम्, the final त् voicing to द् before the vowel by Pāṇini 8.2.39 झलां जशोऽन्ते, and भवेत् + यदि would make भवेद्यदि the same way in Mallinātha's order. सुरभयः + ये makes सुरभयो ये, the visarga after अ becoming ओ before the voiced य् by 6.1.114 हशि च. एभिः + तव makes एभिस्तव: the visarga becomes स् before the voiceless त् by 8.3.34 विसर्जनीयस्य सः. तव + इति makes तवेति, अ and इ giving the guṇa vowel ए by 6.1.87 आद्गुणः. A word-final म् becomes anusvāra before a consonant by 8.3.23 मोऽनुस्वारः — देवदारुद्रुमाणां किसलय°, पूर्वं स्पृष्टं, स्पृष्टं यदि — and is kept before a vowel, अङ्गमेभिः. In स्पृष्ट itself the श् of √स्पृश् retroflexes to ष् before त् by 8.2.36 व्रश्चभ्रस्जसृजमृजयजराजभ्राजच्छशां षः and the त् follows it to ट् by 8.4.41 ष्टुना ष्टुः. text.md prints पूर्वस्पृष्टं solid where the stanza above the comment reads पूर्वं स्पृष्टं; the two scan identically, and verse('2.47').variants is empty.

  • Chinnaya Sūri, Bālavyākaraṇam — సంధిపరిచ్ఛేదము; vendor/balavyakaranam-sandhi.txt
  • Aṣṭādhyāyī — 8.2.39 झलां जशोऽन्ते; 8.3.34 विसर्जनीयस्य सः; 8.3.23 मोऽनुस्वारः
  • किसलयपुटान् द्वितीया · accusative — कर्म, the object

  • देवदारुद्रुमाणाम् षष्ठी · genitive — सम्बन्ध, a relation to another word

  • ये प्रथमा · nominative — कर्ता, the agent

  • प्रवृत्ताः प्रथमा · nominative — कर्ता, the agent

  • गुणवति सम्बोधन · vocative — a feminine vocative in ङीप् by उगितश्च

    गुणवति, 'you who have every quality', is a vocative of गुणवती, the feminine of गुणवत्. The feminine stem is made with the affix ङीप् by Pāṇini 4.1.6 उगितश्च — a stem ending in उक् (the marker of affixes like मतुप्/वत्) takes ङीप् — the same affix that made पश्यन्ती at 2.46; read so, गुणवती is an ordinary ī-stem that skt-data declines. DCS gives the stem as गुणवत् and cannot place the ending. Mallinātha does not leave गुण abstract: हे गुणवति सौशील्यसौकुमार्यादिगुणसम्पन्ने, endowed with good nature, delicacy and the rest. It is the fourth vocative for her in the message, after अबले at 2.41, चण्डि at 2.44 and the प्रिये Mallinātha supplied at 2.45.

    • Aṣṭādhyāyī — 4.1.6 उगितश्च
    • Mallinātha, Sañjīvinī — 2.47: he guṇavati sauśīlyasaukumāryādiguṇasampanne
  • मया तृतीया · instrumental — करण, the instrument or cause

  • ते प्रथमा · nominative — कर्ता, the agent

  • तुषाराद्रिवाताः प्रथमा · nominative — कर्ता, the agent

    with तत्क्षीरस्रुतिसुरभयः

  • अङ्गम् प्रथमा · nominative — कर्ता, the agent

    with स्पृष्टम्

  • एभिः तृतीया · instrumental — करण, the instrument or cause

  • ते षष्ठी · genitive — सम्बन्ध, a relation to another word

प्रकरण 1 · हलन्त्यम्

  • हलन्त्यम् 1.3.3← देवदारुद्रुमाणाम्; आलिङ्ग्यन्ते; भवेत्
  • तस्य लोपः 1.3.9← भित्त्वा; किसलयपुटान्; देवदारुद्रुमाणाम्; तत्क्षीरस्रुतिसुरभयः; प्रवृत्ताः; आलिङ्ग्यन्ते; तुषाराद्रिवाताः; स्पृष्टम्; भवेत्
  • सुप्तिङन्तं पदम् 1.4.14← प्रवृत्ताः; आलिङ्ग्यन्ते; स्पृष्टम्; भवेत्

प्रकरण 2 · इको यणचि

प्रकरण 3 · स्तोः श्चुना श्चुः

प्रकरण 4 · वा शरि

  • ससजुषो रुः 8.2.66← तत्क्षीरस्रुतिसुरभयः; प्रवृत्ताः; तुषाराद्रिवाताः; एभिः

प्रकरण 5 · अर्थवदधातुरप्रत्ययः प्रातिपदिकम्

प्रकरण 7 · अतोऽम्

प्रकरण 11 · स्वरादिनिपातमव्ययम्

प्रकरण 12 · लः कर्मणि च भावे चाकर्मकेभ्यः

प्रकरण 21 · सत्यापपाशरूपवीणातूलश्लोकसेनालोमत्वचवर्मवर्णचूर्णचुरादिभ्यो णिच्

प्रकरण 30 · भावकर्मणोः

प्रकरण 34 · ण्वुल्तृचौ

प्रकरण 36 · तुमुन्ण्वुलौ क्रियायां क्रियार्थायाम्

प्रकरण 48 · शेषे

not in the abridgement

किसलयपुटान्

किसलय · पुट

  1. किसलयानां पुटाः

    तत्पुरुष (genitive) — the folded cups of the young leaves

तत्पुरुष. the folded shoots — पुट is a fold, a pocket, a thing closed over itself, so the compound is a bud rather than a leaf: what the wind breaks open. Mallinātha glosses it with another word for the same thing, पल्लवपुटान्, only swapping किसलय for पल्लव. **किसलय stood at 2.46 too**, one stanza earlier, where it was what caught the goddesses' tears; there the leaves were open and here they are shut

uncheckedMallinātha, Sañjīvinī, who glosses किसलयपुटान्पल्लवपुटान्; DCS gives the members as किसलय and पुट. The link to 2.46 is the reader's“devadārudrumāṇāṃ kisalayapuṭān pallavapuṭān sadyo bhittvā”

देवदारुद्रुमाणाम्

देवदारु · द्रुम

  1. देवदारवः एव द्रुमाः, तेषाम्

    कर्मधारय — the deodars, which are trees

कर्मधारय. of the deodar trees — **the same shape Mallinātha justified one stanza ago**: at 2.46 he defended स्वप्नसन्दर्शन as चूतवृक्षादिवत्सामान्यविशेषभावेन, the particular standing beside the general as in *mango-tree*; देवदारुद्रुम is a देवदारु beside a द्रुम, the very pattern his example names. He says nothing about it here. देवदारु is itself देव + दारु, *the wood of the gods*

uncheckedMallinātha, Sañjīvinī, who writes देवदारुद्रुमाणां किसलयपुटान् and does not unpack the compound; DCS gives the members as देवदारु and द्रुम. That the compound is the pattern of his own example at 2.46 is the reader's“devadārudrumāṇāṃ kisalayapuṭān pallavapuṭān”

तत्क्षीरस्रुतिसुरभयः

तद् · क्षीर · स्रुति · सुरभि

  1. क्षीरस्य स्रुतयः

    तत्पुरुष (genitive) — the oozings of sap

  2. तेषां क्षीरस्रुतयः

    तत्पुरुष (genitive) — the sap-oozings of those trees

  3. तत्क्षीरस्रुतिभिः सुरभयः

    तत्पुरुष (instrumental) — made fragrant by them

तत्पुरुष — it agrees with तुषाराद्रिवाताः. smelling of the sap they broke open — Mallinātha unpacks the whole chain, तेषां देवदारुद्रुमाणां क्षीरस्रुतिभिः क्षीरनिष्यन्दैः सुरभयः सुगन्धयः, and then says what the compound is for: **तुषाराद्रिजातत्वे लिङ्गमिदम्**, *this is the evidence that they were born on the Snow Mountain*. The smell is how he knows where the wind has been, and the whole stanza is an argument from a smell

uncheckedMallinātha, Sañjīvinī, who unpacks तेषां देवदारुद्रुमाणां क्षीरस्रुतिभिः क्षीरनिष्यन्दैः सुरभयः सुगन्धयः and adds तुषाराद्रिजातत्वे लिङ्गमिदम्; DCS gives the members as तद्, क्षीर, स्रुति and सुरभि“tatkṣīrasrutisurabhayas teṣāṃ devadārudrumāṇāṃ kṣīrasrutibhiḥ kṣīraniṣyandaiḥ surabhayaḥ sugandhayaḥ | tuṣārādrijātatve liṅgam idam”

तुषाराद्रिवाताः

तुषार · अद्रि · वात

  1. तुषाराणाम् अद्रिः

    तत्पुरुष (genitive) — the mountain of the snows

  2. तुषाराद्रेः वाताः

    तत्पुरुष (genitive) — the winds off that mountain

तत्पुरुष. the winds off the Snow Mountain — तुषाराद्रि is a description doing the work of a name, *the hill of frost*, which is the Himālaya. **It is the far end of the poem's geography**: the cloud has gone north to Alakā, on Kailāsa, and these winds come down from the same range to the hill in the south where the yakṣa is. Mallinātha does not unpack the compound; he uses it to explain the one before it

uncheckedMallinātha, Sañjīvinī, who writes ते तुषाराद्रिवाताः and reads the preceding compound as तुषाराद्रिजातत्वे लिङ्गम्; DCS gives तुषाराद्रि as one member beside वात. The division into तुषार and अद्रि, and the reading of the geography, are the reader's“te tuṣārādrivātāḥ pūrvaṃ prāg ebhir vātais tavāṅgaṃ spṛṣṭaṃ bhaved yadi”

  • √भिद् + क्त्वा

    भित्त्वा

    √भिद् of the seventh class with क्त्वा

    having split — an absolutive in क्त्वा, which is the form when no preverb stands in front, against the ल्यप् of 2.45's आलिख्य. **DCS tags it `pos=vi` again**, the fourth time in five stanzas, and here the drafting script's other answer, क्त्वा, is the right one. √भिद् is a violent verb — to break, to cleave — and its object is a bud

  • अव्यय

    सद्यः

    सद्यस्

    that very moment — the adverb of immediacy, and it is doing the same work इच्छासमकालम् did at 2.45: no gap between the two things. Here the gap denied is between the wind breaking the bud and the wind carrying the smell, which is what makes the smell evidence. Mallinātha keeps it in his anvaya and does not gloss it

  • a-stem masculine, द्वितीया बहुवचन accusative plural

    किसलयपुटान्

    पुट

    the closed shoots — the object of the absolutive. Mallinātha glosses पल्लवपुटान्, changing only the word for the leaf. **What the compound names is a thing not yet open**, so the wind's first act in the stanza is to break something

  • a-stem masculine, षष्ठी बहुवचन genitive plural

    देवदारुद्रुमाणाम्

    printed देवदारुद्रुमाणां

    द्रुम

    of the deodars — the genitive the buds belong to. देवदारु is *the timber of the gods*, the Himālayan cedar, and its resin is what the rest of the stanza smells of. Mallinātha names the trees twice, once here and once again inside his unpacking of the next compound, तेषां देवदारुद्रुमाणाम्, to fix what the तद् at its head is pointing at

    The buds and the trees they open on both come as compounds. किसलयपुटान् is किसलय (young leaf) and पुट (a fold, a pocket closed over itself), so it names a shoot not yet open — what the wind breaks; Mallinātha glosses it पल्लवपुटान्, changing only the word for the leaf. देवदारुद्रुमाणाम् is देवदारु (देव + दारु, the timber of the gods, the Himālayan cedar) standing beside द्रुम, tree — the very pattern he defended one stanza ago at 2.46 as चूतवृक्षादिवत्सामान्यविशेषभावेन, the particular beside the general as in mango-tree, though he says nothing of it here. किसलय stood at 2.46 too, where it caught the goddesses' tears; there the leaves were open and here they are shut.

    • Mallinātha, Sañjīvinī — 2.47: devadārudrumāṇāṃ kisalayapuṭān pallavapuṭān sadyo bhittvā
  • pronoun, प्रथमा बहुवचन nominative plural

    ये

    यद्

    which — the relative, and its correlative ते stands in the third pāda beside the noun. **The same shape as 2.43**, where a यः in the first pāda waited two pādas for its सः; here the winds are described for a pāda and a half before they are named

  • i-stem masculine, प्रथमा बहुवचन nominative plural

    तत्क्षीरस्रुतिसुरभयः

    printed तत्क्षीरस्रुतिसुरभयो

    सुरभि

    fragrant with their sap — and this is the compound the stanza's argument rests on. Mallinātha glosses सुरभयः सुगन्धयः, fragrant, and क्षीरस्रुतिभिः क्षीरनिष्यन्दैः, by the tricklings of the milky sap; then he states what it proves: **तुषाराद्रिजातत्वे लिङ्गमिदम्**, this is the mark of their being born on the Snow Mountain. Deodars grow there and nowhere he can reach, so a wind that smells of one has come from there

    The stanza is an argument from a smell, and Mallinātha says so in six words. तत्क्षीरस्रुतिसुरभयः, fragrant with the tricklings of their sap, is not decoration: he unpacks the chain — तेषां देवदारुद्रुमाणां क्षीरस्रुतिभिः क्षीरनिष्यन्दैः सुरभयः सुगन्धयः, made fragrant by the milky sap of those deodars — and then states what it proves, तुषाराद्रिजातत्वे लिङ्गमिदम्, this is the mark of their being born on the Snow Mountain. Deodars grow there and nowhere he can reach; a wind that carries their resin has come from there; so it is worth putting your arms round. The smell is how he knows where the wind has been, and the whole stanza is built on it.

    • Mallinātha, Sañjīvinī — 2.47: teṣāṃ devadārudrumāṇāṃ kṣīrasrutibhiḥ kṣīraniṣyandaiḥ surabhayaḥ sugandhayaḥ | tuṣārādrijātatve liṅgam idam
  • अव्यय

    दक्षिणेन

    दक्षिणेन

    by the southern way — **and Mallinātha stops the whole comment to justify the case.** He glosses दक्षिणमार्गेण, by the southern road, and then argues: the third case here is by the vārttika तृतीयाविधाने प्रकृत्यादिभ्य उपसङ्ख्यानम्, an addition to the rule that assigns the instrumental; the model is समेन धावति, *he runs by the level ground*; and it works तत्रापि करणत्वस्य प्रतीयमानत्वात्, because instrumentality is understood there too. **The reason he has to argue is a line of Patañjali's**, which he quotes and names: “कर्तृकरणयोरेव तृतीया” इति भाष्यकारः, the third case is for agent and instrument *only* — Pāṇini 2.3.18 with the एव added. A road is neither, so it must be shown to be an instrument in effect

  • √वृत् + क्त, प्रथमा बहुवचन nominative plural

    प्रवृत्ताः

    प्रवृत्त, from √वृत् with प्र and क्त

    set going — active in sense, as क्त is for verbs of motion. Mallinātha glosses चलिताः, *moved, started off*. The root is the one in दूरवर्ती at 2.42, √वृत्, *to turn, to be in motion*; there it held a man in one place and here it starts a wind

  • √लिङ्ग्, class 10, लट्, passive, third person plural

    आलिङ्ग्यन्ते

    √लिङ्ग् of the tenth class with आ, in the passive

    are embraced — a passive in य by Pāṇini 3.1.67 सार्वधातुके यक्, and Mallinātha glosses it with another passive, आश्लिष्यन्ते. **This one word is where he turns on a predecessor.** Winds can be touched, he says, but being formless they cannot be embraced — and yet the poem says *embraced*. The Niruktakāra excused it as the raving of a yakṣa out of his mind; Mallinātha's answer is that the man is himself raving and may be ignored. The printed stanza above his comment reads आलिङ्गयन्ते, an active shape, and his own gloss reads the passive the corpus prints

  • ī-stem feminine, सम्बोधन एकवचन vocative singular

    गुणवति

    गुणवती, the feminine of गुणवत्

    you who have every quality — a vocative, and Mallinātha does not leave गुण abstract: सौशील्यसौकुमार्यादिगुणसम्पन्ने, *endowed with good nature, delicacy and the rest*. **DCS gives the stem as गुणवत् and cannot place the ending**; the feminine is गुणवती, made with ङीप् by Pāṇini 4.1.6 उगितश्च — the same affix that made पश्यन्ती at 2.46 — and read so it is an ordinary ī-stem which skt-data declines. It is the fourth vocative for her in the message, after अबले at 2.41, चण्डि at 2.44 and the प्रिये Mallinātha supplied at 2.45

  • pronoun, तृतीया एकवचन instrumental singular

    मया

    अस्मद्

    by me — the agent of the passive verb, exactly as it was the agent of लब्धायाः at 2.46. **The passive is what the stanza needs**: he is not said to embrace the winds; the winds are said to be embraced by him, so the sentence keeps its subject on the thing that came from her

  • pronoun, प्रथमा बहुवचन nominative plural

    ते

    तद्

    those — the correlative of the ये in the second pāda, closing a relative clause that has run for a pāda and a half. **The stanza has two words spelled ते and they are different pronouns**: this one is तद् in the nominative plural, and the one in the fourth pāda is युष्मद् in the genitive singular. Nothing on the page separates them

  • a-stem masculine, प्रथमा बहुवचन nominative plural

    तुषाराद्रिवाताः

    वात

    the winds off the Snow Mountain — the subject, and the last thing in the stanza to be named. Mallinātha carries the compound through unglossed and uses it backwards, to explain the sap: the smell is the proof of where they come from, **तुषाराद्रिजातत्वे लिङ्गमिदम्**

  • अव्यय

    पूर्वम्

    printed पूर्वस्पृष्टं

    पूर्वम्

    before this — an adverb, and Mallinātha glosses it with another, प्राक्. **`text.md` prints the fourth pāda's first word solid, पूर्वस्पृष्टं**, which reads as a compound; both witnesses take it as two words, and the stanza above Mallinātha's comment prints पूर्वं स्पृष्टं with the anusvāra. The two scan identically, so the metre decides nothing, and the difference is whether *touched-before* is one word or two

  • √स्पृश् + क्त, प्रथमा एकवचन nominative singular

    स्पृष्टम्

    printed पूर्वस्पृष्टं

    स्पृष्ट, from √स्पृश् with क्त

    touched — passive, agreeing with अङ्गम्, and it makes the predicate of the conditional clause with भवेत्. **This is the fourth consolation Mallinātha listed at 2.43 in its own words**: तदङ्गस्पृष्टस्पर्श, touching what her body has touched. The श् of स्पृश् becomes ष् before the त् by Pāṇini 8.2.36 and the त् follows it to ट् by 8.4.41, the same pair that made अदृष्टः at 2.43

  • अव्यय

    यदि

    यदि

    if — and there is no *then*. The conditional has no apodosis: the embracing in the third pāda is not what happens *if* the winds touched her, it is what he does while entertaining the possibility. Mallinātha marks that by construing the whole clause under इति, as the content of a thought

  • अव्यय

    किल

    किल

    it may be — **and here Mallinātha glosses the particle he let stand at 2.43.** सम्भावितमेतदिति बुद्ध्येत्यर्थः: *with the thought that this is a thing that could be so*. He quotes Amara for the pair of senses, वार्ता सम्भाव्ययोः किल — किल is used of hearsay and of what is conceivable — and takes the second. The same line covers the किल of 2.43, where the sense wanted was the first

    The particle Mallinātha let pass at 2.43 he glosses here. किल is सम्भावितमेतदिति बुद्ध्येत्यर्थः, with the thought that this may be so — a word of supposition, not of report — and he quotes Amara for the two senses it carries, वार्ता सम्भाव्ययोः किल, hearsay and possibility. He takes the second. And the conditional the particle sits in has no then: यदि, if, opens a clause that nothing answers, because the embracing in the third pāda is not the consequence of the winds having touched her but of the bare chance that they did. The verb he reads with both particles at once — स्पृष्टं भवेत्, might be — one may suppose she was touched, and on that supposition he embraces the wind.

    • Mallinātha, Sañjīvinī — 2.47: kileti sambhāvitam etad iti buddhyetyarthaḥ || “vārtā sambhāvyayoḥ kila” ityamaraḥ
  • √भू, class 1, विधिलिङ्, parasmaipada, third person singular

    भवेत्

    printed भवेदङ्गमेभिस्तवेति

    √भू of the first class

    might be — the optative, which is the mood for a supposition and not for an instruction here. **√भू has now stood in three lakāras in this canto** — the augmentless aorist भूत् at 2.37, the aorist अभूत् at 2.43, and this optative — and the root's whole job in the poem is to say what the case is, was not, or might have been. Mallinātha reads it with यदि and किल together: it might be, one may suppose

  • a-stem neuter, प्रथमा एकवचन nominative singular

    अङ्गम्

    printed भवेदङ्गमेभिस्तवेति

    अङ्ग

    your body — the subject of the conditional clause. **It is the third time in six stanzas**: at 2.42 it was the limb entered by imagining, at 2.44 the body found in a creeper, and here the body a wind may have brushed. Each time the word is the same and the way of reaching it is further off

  • pronoun, तृतीया बहुवचन instrumental plural

    एभिः

    printed भवेदङ्गमेभिस्तवेति

    इदम्

    by these — the agent of the passive participle, and a near demonstrative: **not *those* winds but *these*, the ones on his face as he speaks.** The stanza has already called them ते, *those*, in the third pāda; the change from the far pronoun to the near one happens inside the sentence, and it is the difference between describing a wind and standing in it. Mallinātha glosses एभिर्वातैः and does not remark on it

    Two demonstratives point at the same winds, and the second is nearer. In the third pāda they are ते, those — तद् in the nominative plural, correlative of the ये a pāda and a half back — described from outside. In the fourth they are एभिः, by these — इदम्, the near demonstrative — the winds on his face while he speaks. The change from the far pronoun to the near one happens inside the single sentence, and it is the difference between describing a wind and standing in it. The stanza carries yet a third word spelled ते, in the fourth pāda: not तद् this time but युष्मद्, the enclitic genitive your, agreeing with अङ्गम्; three near-identical syllables, three different pronouns, and nothing on the page to keep them apart.

    • Mallinātha, Sañjīvinī — 2.47: prāg ebhir vātais tavāṅgaṃ spṛṣṭaṃ bhaved yadi
  • pronoun, षष्ठी एकवचन genitive singular

    ते

    printed भवेदङ्गमेभिस्तवेति

    युष्मद्

    your — the enclitic genitive, which Mallinātha replaces with the full तव as he did at 2.44. It is the second word spelled ते in the stanza and the other one is a different pronoun in a different case, one pāda above

  • अव्यय

    इति

    printed भवेदङ्गमेभिस्तवेति

    इति

    so thinking — the last word of the stanza, and it closes a thought rather than a speech. Mallinātha supplies the verb it needs, बुद्ध्या, *with the thought*, when he glosses किल. **इति last stood at 2.40**, where it shut the quotation of the first attempt at the message; there it ended somebody's words and here it ends somebody's supposition

गुणवति · देवदारुद्रुमाणाम् · किसलयपुटान् · सद्यः · भित्त्वा · तत्क्षीरस्रुतिसुरभयः · ये · दक्षिणेन · प्रवृत्ताः · ते · तुषाराद्रिवाताः · पूर्वम् · एभिः · ते · अङ्गम् · स्पृष्टम् · यदि · किल · भवेत् · इति · मया · आलिङ्ग्यन्ते

uncheckedMallinātha, Sañjīvinī, whose commentary runs as anvaya. **Nothing is supplied**, for the second stanza running. What he moves is the genitive and the object of the first pāda — the verse writes भित्त्वा सद्यः किसलयपुटान् देवदारुद्रुमाणां, absolutive first and possessor last, and he turns it round to देवदारुद्रुमाणां किसलयपुटान् सद्यो भित्त्वा. The main verb he leaves till the end, where the verse has it at the head of the third pāda, so that on his order the whole conditional stands inside the sentence before the embracing happens“devadārudrumāṇāṃ kisalayapuṭān pallavapuṭān sadyo bhittvā | tatkṣīrasrutisurabhayas teṣāṃ devadārudrumāṇāṃ kṣīrasrutibhiḥ … ye vātā dakṣiṇena dakṣiṇamārgeṇa … pravṛttāś calitāḥ | he guṇavati sauśīlyasaukumāryādiguṇasampanne, te tuṣārādrivātāḥ pūrvaṃ prāg ebhir vātais tavāṅgaṃ spṛṣṭaṃ bhaved yadi | kileti sambhāvitam etad iti buddhyetyarthaḥ … mayāliṅgyanta āśliṣyante”

the dependency structure

आलिङ्ग्यन्ते · क्रिया — are embraced, मयालिङ्ग्यन्ते आश्लिष्यन्ते; the stanza's main verb and the one it ends on, a passive present (लट्, कर्मणि) whose य comes by Pāṇini 3.1.67 सार्वधातुके यक्. The whole first clause hangs here: he does not embrace the winds, the winds are embraced by him, so the sentence keeps its subject on the thing that came from her. And this one word is where Mallinātha turns on a predecessor — winds can be touched but have no shape, so cannot be embraced, and the verse says they are; the Niruktakāra excused it as a madman's raving, and Mallinātha's answer is स्वयमेवोन्मत्तप्रलापीत्युपेक्षणीयः, the man is himself a raving madman and may be passed over

गुणवति · सम्बोधन — you who have every quality, हे गुणवति; the vocative, and Mallinātha will not leave गुण abstract — सौशील्यसौकुमार्यादिगुणसम्पन्ने, endowed with good nature, delicacy and the rest. It is the fourth address to her in the message, after अबले at 2.41, चण्डि at 2.44 and the प्रिये he supplied at 2.45

मया · कर्ता — by me, मया; the agent of the passive verb, in the instrumental as a passive requires, exactly as it was the agent of लब्धायाः at 2.46. The embracing is his and the grammatical subject is the winds

तुषाराद्रिवाताः · कर्म — the winds off the Snow Mountain, ते तुषाराद्रिवाताः; the thing embraced, standing in the nominative because the verb is passive, and the last thing in the stanza to be named. तुषाराद्रि is a description doing the work of a name, the hill of frost, which is the Himālaya; Mallinātha carries the compound through unglossed and uses it backwards, reading the sap-smell as तुषाराद्रिजातत्वे लिङ्गमिदम्, the proof of where they come from

ते · — those, ते; the correlative of the ये in the second pāda, agreeing with तुषाराद्रिवाताः and closing a relative clause that has run for a pāda and a half. It is one of two words spelled ते in the stanza — this one is तद् in the nominative plural, and the other, in the fourth pāda, is युष्मद् in the genitive singular; nothing on the page separates them

तत्क्षीरस्रुतिसुरभयः · विशेषण — fragrant with their sap, तत्क्षीरस्रुतिसुरभयः क्षीरस्रुतिभिः क्षीरनिष्यन्दैः सुरभयः सुगन्धयः; agreeing with the winds, and the compound the stanza's whole argument rests on. Mallinātha glosses it and then states what it proves — तुषाराद्रिजातत्वे लिङ्गमिदम्, this is the mark of their being born on the Snow Mountain, where deodars grow and he cannot go, so a wind that smells of their resin has come from there

प्रवृत्ताः · विशेषण — set going, प्रवृत्ताश्चलिताः; a past participle in क्त, active in sense as क्त is for verbs of motion, predicating the relative clause that describes the winds before they are named. The root is √वृत्, to turn, to be in motion — the one in दूरवर्ती at 2.42, where it held a man in one place and here it starts a wind

ये · कर्ता — which, ये वाताः; the relative pronoun, subject of प्रवृत्ताः, waiting a pāda and a half for its correlative ते — the same shape as 2.43, where a यः in the first pāda waited two pādas for its सः

दक्षिणेन · करण — by the southern way, दक्षिणेन दक्षिणमार्गेण; a third case on a road, and Mallinātha stops the whole comment to license it — by the vārttika तृतीयाविधाने प्रकृत्यादिभ्य उपसङ्ख्यानम्, on the model of समेन धावति, he runs by the level ground, and because तत्रापि करणत्वस्य प्रतीयमानत्वात्, instrumentality is understood there too. He has to argue because a road is neither agent nor instrument, against Patañjali's कर्तृकरणयोरेव तृतीया

भित्त्वा · पूर्वकालक्रिया — having split, सद्यो भित्त्वा; an absolutive in क्त्वा, the form when no preverb stands in front, against the ल्यप् of 2.45's आलिख्य. √भिद् is a violent verb, to break, to cleave, and its object is a bud — the wind's first act in the stanza is to break something open

सद्यः · क्रियाविशेषण — that very moment, सद्यः; the adverb of immediacy, doing the work इच्छासमकालम् did at 2.45 — no gap between the wind breaking the bud and the wind carrying the smell, which is what makes the smell evidence. Mallinātha keeps it in his anvaya unglossed

किसलयपुटान् · कर्म — the folded shoots, किसलयपुटान् पल्लवपुटान्; the object of the absolutive, glossed by Mallinātha with only the leaf-word changed. पुट is a fold, a pocket closed over itself, so the compound is a bud not yet open — a thing to be broken

देवदारुद्रुमाणाम् · षष्ठी — of the deodars, देवदारुद्रुमाणाम्; the genitive the buds belong to. देवदारु is देव + दारु, the timber of the gods, the Himālayan cedar whose resin the rest of the stanza smells of; Mallinātha names the trees again inside the next compound, तेषां देवदारुद्रुमाणाम्, to fix what its तद् points at

भवेत् · क्रिया of the supposed clause — might be, स्पृष्टं भवेद्यदि; the second finite verb, an optative, and the ground the embracing rests on — not what happens if the winds touched her but the chance he entertains while putting his arms round them. Mallinātha construes the whole clause under इति, as the content of a thought, reading भवेत् with यदि and किल together: it might be, one may suppose. √भू has now stood in three lakāras in this canto, the aorists भूत् at 2.37 and अभूत् at 2.43 and this optative

अङ्गम् · कर्ता — your body, तवाङ्गम्; the subject of the conditional clause. It is the third time in six stanzas — at 2.42 the limb entered by imagining, at 2.44 the body found in a creeper, and here the body a wind may have brushed; each time the same word, and the way of reaching it further off

ते · षष्ठी — your, ते तव; the enclitic genitive on अङ्गम्, which Mallinātha replaces with the full तव as he did at 2.44. It is the second word spelled ते in the stanza, युष्मद् in the genitive singular, a different pronoun in a different case from the तद् one pāda above

स्पृष्टम् · विधेय — touched, स्पृष्टं भवेत्; a past participle in क्त, passive, agreeing with अङ्गम् and making the predicate of the conditional. This is the fourth consolation Mallinātha listed at 2.43 in its own words, तदङ्गस्पृष्टस्पर्श, touching what her body has touched — four stanzas, four consolations, in the order the commentary gave them one verse before the poem began them

पूर्वम् · क्रियाविशेषण — before this, पूर्वं प्राक्; an adverb Mallinātha glosses with another. text.md prints पूर्वस्पृष्टं solid, which reads as a compound; both witnesses take it as two words and the stanza above his comment prints पूर्वं स्पृष्टं with the anusvāra, and the two scan identically

एभिः · करण — by these, एभिर्वातैः; the agent of the passive participle, and a near demonstrative — not those winds but these, the ones on his face as he speaks. The stanza has already called them ते, those, in the third pāda; the change from the far pronoun to the near one happens inside the sentence, the difference between describing a wind and standing in it

यदि · — if, यदि; and there is no then. The conditional has no apodosis — the embracing is not the consequence of the touch but of its bare chance, and Mallinātha marks that by construing the whole clause under इति, as the content of a thought

किल · — it may be, किल; the particle Mallinātha let stand at 2.43 and glosses here — सम्भावितमेतदिति बुद्ध्येत्यर्थः, with the thought that this is a thing that could be so. He quotes Amara for the pair of senses, वार्ता सम्भाव्ययोः किल, hearsay and what is conceivable, and takes the second

इति · — so thinking, इति; the last word of the stanza, closing a thought rather than a speech. Mallinātha supplies the verb it needs, बुद्ध्या, with the thought, when he glosses किल. इति last stood at 2.40, where it shut the quotation of the first attempt at the message; there it ended somebody's words and here it ends somebody's supposition

uncheckedthe reader's reading, following Mallinātha's Sañjīvinī for the anvaya and the reading. His glosses are: पल्लवपुटान् for किसलयपुटान्, क्षीरनिष्यन्दैः and सुगन्धयः with तुषाराद्रिजातत्वे लिङ्गमिदम् for तत्क्षीरस्रुतिसुरभयः, दक्षिणमार्गेण for दक्षिणेन with the whole vārttika argument and the Bhāṣya line कर्तृकरणयोरेव तृतीया, चलिताः for प्रवृत्ताः, सौशील्यसौकुमार्यादिगुणसम्पन्ने for गुणवति, प्राक् for पूर्वम्, सम्भावितमेतदिति बुद्ध्येत्यर्थः for किल with the Amara line, आश्लिष्यन्ते for आलिङ्ग्यन्ते, and the closing rejection of the Niruktakāra. The tree roots at आलिङ्ग्यन्ते, the main verb of the first clause, and carries the supposed conditional as a subordinate clause on भवेत्, the second finite verb, construed under इति as the content of a thought. The roles take आलिङ्ग्यन्ते as a passive in यक् by 3.1.67, दक्षिणेन as a third case on a road licensed by a vārttika against Patañjali's कर्तृकरणयोरेव तृतीया (Pāṇini 2.3.18), गुणवति as a feminine in ङीप् by 4.1.6, and स्पृष्टम् as a क्त participle whose cluster retroflexes by 8.2.36 and 8.4.41. Pāṇini 2.3.18, 3.1.67, 4.1.6, 8.2.36 and 8.4.41 are by way of skt-data's sūtra corpus; the vārttika Mallinātha quotes is not in that corpus under its own words, and neither the Mahābhāṣya nor Amara's text nor any work of the Niruktakāra is in this repository, so those citations cannot be checked. text.md prints पूर्वस्पृष्टं where the stanza above the comment reads पूर्वं स्पृष्टं, and आलिङ्गयन्ते where it prints आलिङ्ग्यन्ते; verse('2.47').variants is empty. No figure is named. The Telugu is drawn from Vedam Venkataraya Sastri's Āndhra Meghasandeśam.

*You who have everything, those winds off the Snow Mountain that come down the southern road, that split the folded shoots of the deodars the same instant and smell of their running sap — those I embrace, on the chance that they may have touched your body first.* **The stanza is an argument from a smell, and Mallinātha says so in six words.** तत्क्षीरस्रुतिसुरभयः is not decoration: **तुषाराद्रिजातत्वे लिङ्गमिदम्**, *this is the mark of their being born on the Snow Mountain*. Deodars grow where he cannot go and she is; a wind that carries their resin has come from there; so it is worth putting your arms round. **One case costs him the longest grammatical note in the canto.** दक्षिणेन, *by the southern way*, is a third case on a road, and he has to license it: by the vārttika तृतीयाविधाने प्रकृत्यादिभ्य उपसङ्ख्यानम्, on the model of समेन धावति — *he runs by the level ground* — and because तत्रापि करणत्वस्य प्रतीयमानत्वात्, instrumentality is understood there too. The reason it needs licensing he quotes and attributes: **“कर्तृकरणयोरेव तृतीया” इति भाष्यकारः**, the third case is for agent and instrument *only*, says the author of the Bhāṣya. That is Patañjali's second appearance in the corpus, after 1.57, and his first in this canto. **And on the main verb he stops being a commentator and starts being angry.** Winds can be touched, but they have no shape, so they cannot be embraced — and the verse says आलिङ्ग्यन्ते, *they are embraced*. The Niruktakāra had excused it: the yakṣa is out of his mind, so raving is no fault. Mallinātha's reply is **स्वयमेवोन्मत्तप्रलापीत्युपेक्षणीयः** — *he is himself a raving madman and is to be passed over*. This is the third time he takes that commentator on, after 1.48 and 2.17, and the first time he does not argue but abuses. **The particle he let pass at 2.43 he glosses here.** किल is **सम्भावितमेतदिति बुद्ध्येत्यर्थः**, with the thought that this may be so, and he quotes Amara for the two senses the word has, वार्ता सम्भाव्ययोः किल — hearsay and possibility. He takes the second. And the conditional has no *then*: यदि opens a clause that nothing answers, because the embracing is not the consequence of the touch but of the chance of it. **Two demonstratives, and the second is nearer.** In the third pāda the winds are ते, *those*, described from outside; in the fourth they are एभिः, *these*, the ones on his face while he speaks. **This is the last of the four consolations he listed at 2.43**, तदङ्गस्पृष्टस्पर्श — touching what her body touched — and the stanza names it in the participle स्पृष्टम्. Four stanzas, four consolations, in the order the commentary gave them one verse before the poem began them. No figure is named.

uncheckedthe reader's reading, following Mallinātha, Sañjīvinī's gloss. His are: पल्लवपुटान् for किसलयपुटान्, क्षीरनिष्यन्दैः and सुगन्धयः with तुषाराद्रिजातत्वे लिङ्गमिदम्, दक्षिणमार्गेण for दक्षिणेन with the whole vārttika argument and the Bhāṣya line, चलिताः for प्रवृत्ताः, सौशील्यसौकुमार्यादिगुणसम्पन्ने for गुणवति, प्राक् for पूर्वम्, सम्भावितमेतदिति बुद्ध्येत्यर्थः for किल with the Amara line, आश्लिष्यन्ते for आलिङ्ग्यन्ते, and the closing rejection of the Niruktakāra. That the stanza is an argument from a smell, that the conditional has no apodosis, that the demonstrative moves from far to near, and that this is the fourth of his own four consolations, are the reader's; Pāṇini 2.3.18, 3.1.67, 4.1.6, 8.2.36 and 8.4.41 are by way of skt-data's sūtra corpus, only the first implied by him. The vārttika he quotes is not in that corpus under its own words; neither the Mahābhāṣya nor Amara's text nor any work of the Niruktakāra is in this repository, so none of those citations can be checked. The stanza printed above the comment in the copy reads पूर्वं स्पृष्टं where `text.md` prints पूर्वस्पृष्टं, and आलिङ्गयन्ते where it prints आलिङ्ग्यन्ते; his gloss agrees with `text.md` on the second and with his own stanza on the first, and `verse('2.47').variants` is empty“yakṣasyonmattatvāt pralapitam ityadoṣa iti vadan niruktakāraḥ svayam evonmattapralāpīty upekṣaṇīyaḥ”

You who have everything: those winds off the Snow Mountain that come down the southern road, that split the folded shoots of the deodars the same instant and smell of their running sap — those I embrace, on the chance that they may have touched your body first. The stanza is an argument from a smell: तत्क्षीरस्रुतिसुरभयः is तुषाराद्रिजातत्वे लिङ्गम्, the mark that the winds were born on the Snow Mountain, where deodars grow and he cannot go. One case, दक्षिणेन — a third case on a road — costs Mallinātha the longest grammatical note in the canto; and on the verb आलिङ्ग्यन्ते he stops arguing and abuses the Niruktakāra outright, स्वयमेवोन्मत्तप्रलापी, himself a raving madman. The conditional has no then — यदि opens a clause nothing answers, because the embracing is not the consequence of the touch but of its bare chance. This is the last of the four consolations he listed at 2.43, तदङ्गस्पृष्टस्पर्श, touching what her body touched, named here in the participle स्पृष्टम्. No figure is named.

  • Mallinātha, Sañjīvinī — 2.47, whole-verse gloss

No figure is named for this verse by the commentary this reading follows, so none is shown.