मेघदूतम् · कालिदास · 1.63

कैलास · the shower-house of the sky-women

तत्रावश्यं वलयकुलिशोद्घट्टनोग्दीर्णतोयं

त
त्रा
व
श्यं
व
ल
य
कु
लि
शो
द्घ
ट्ट
नो
ग्दी
र्ण
तो
यं

नेष्यन्ति त्वां सुरयुवतयो यन्त्रधारागृहत्वम्

ने
ष्य
न्ति
त्वां
सु
र
यु
व
त
यो
य
न्त्र
धा
रा
गृ
ह
त्वम्

ताभ्यो मोक्षस्तव यदि सखे घर्मलब्धस्य न स्यात्

ता
भ्यो
मो
क्ष
स्त
व
य
दि
स
खे
घ
र्म
ल
ब्ध
स्य
न
स्यात्

क्रीडालोलाः श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

क्री
डा
लो
लाः
श्र
व
ण
प
रु
षै
र्ग
र्जि
तै
र्भा
य
ये
स्ताः

pāda a

  • तguruthe conjunct त्र that follows it
  • त्राguruits long vowel आ
  • वguruthe conjunct श्य that follows it
  • श्यंguruthe anusvāra it carries
  • वlaghuits short vowel, with a single consonant after it
  • लlaghuits short vowel, with a single consonant after it
  • यlaghuits short vowel, with a single consonant after it
  • कुlaghuits short vowel, with a single consonant after it
  • लिlaghuits short vowel, with a single consonant after it
  • शोguruits long vowel ओ
  • द्घguruthe conjunct ट्ट that follows it
  • ट्टlaghuits short vowel, with a single consonant after it
  • नोguruits long vowel ओ
  • ग्दीguruits long vowel ई
  • र्णlaghuits short vowel, with a single consonant after it
  • तोguruits long vowel ओ
  • यंguruthe anusvāra it carries
  • yati after 4 — a word ends here — तत्रावश्यं
  • yati after 10 — it falls inside the compound वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

pāda b

  • नेguruits long vowel ए
  • ष्यguruthe conjunct न्त that follows it
  • न्तिguruthe conjunct त्व that follows it
  • त्वांguruthe anusvāra it carries
  • सुlaghuits short vowel, with a single consonant after it
  • रlaghuits short vowel, with a single consonant after it
  • युlaghuits short vowel, with a single consonant after it
  • वlaghuits short vowel, with a single consonant after it
  • तlaghuits short vowel, with a single consonant after it
  • योguruits long vowel ओ
  • यguruthe conjunct न्त्र that follows it
  • न्त्रlaghuits short vowel, with a single consonant after it
  • धाguruits long vowel आ
  • राguruits long vowel आ
  • गृlaghuits short vowel, with a single consonant after it
  • हguruthe conjunct त्व्म that follows it
  • त्वम्guruthe end of the pāda, which counts the last syllable heavy
  • yati after 4 — a word ends here — त्वां
  • yati after 10 — a word ends here — सुरयुवतयो

pāda c

  • ताguruits long vowel आ
  • भ्योguruits long vowel ओ
  • मोguruits long vowel ओ
  • क्षguruthe conjunct स्त that follows it
  • स्तlaghuits short vowel, with a single consonant after it
  • वlaghuits short vowel, with a single consonant after it
  • यlaghuits short vowel, with a single consonant after it
  • दिlaghuits short vowel, with a single consonant after it
  • सlaghuits short vowel, with a single consonant after it
  • खेguruits long vowel ए
  • घguruthe conjunct र्म that follows it
  • र्मlaghuits short vowel, with a single consonant after it
  • लguruthe conjunct ब्ध that follows it
  • ब्धguruthe conjunct स्य that follows it
  • स्यlaghuits short vowel, with a single consonant after it
  • नguruthe conjunct स्य that follows it
  • स्यात्guruthe end of the pāda, which counts the last syllable heavy
  • yati after 4 — it falls inside मोक्षः
  • yati after 10 — a word ends here — सखे

pāda d

  • क्रीguruits long vowel ई
  • डाguruits long vowel आ
  • लोguruits long vowel ओ
  • लाःguruthe visarga it carries
  • श्रlaghuits short vowel, with a single consonant after it
  • वlaghuits short vowel, with a single consonant after it
  • णlaghuits short vowel, with a single consonant after it
  • पlaghuits short vowel, with a single consonant after it
  • रुlaghuits short vowel, with a single consonant after it
  • षैguruits long vowel ऐ
  • र्गguruthe conjunct र्ज that follows it
  • र्जिlaghuits short vowel, with a single consonant after it
  • तैguruits long vowel ऐ
  • र्भाguruits long vowel आ
  • यlaghuits short vowel, with a single consonant after it
  • येguruits long vowel ए
  • स्ताःguruthe visarga it carries
  • yati after 4 — a word ends here — क्रीडालोलाः
  • yati after 10 — it falls inside the compound श्रवणपरुषैः
  • तत्र + अवश्यम् → तत्रावश्यं

    अ + अ → आ

  • वलयकुलिशोद्घट्टनोद्गीर्णतोयम् + नेष्यन्ति → वलयकुलिशोद्घट्टनोग्दीर्णतोयं

    म् + न्

  • त्वाम् + सुरयुवतयः → त्वां

    म् + स्

  • सुरयुवतयः + यन्त्रधारागृहत्वम् → सुरयुवतयो

    ः + य्

    no rule named — the builder's table does not hold this change

  • ताभ्यः + मोक्षः → ताभ्यो

    ः + म्

    no rule named — the builder's table does not hold this change

  • मोक्षः + तव → मोक्षस्तव

    ः + त्

  • श्रवणपरुषैः + गर्जितैः → श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

    ः + ग्

    no rule named — the builder's table does not hold this change

  • गर्जितैः + भाययेः → श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

    ः + भ्

    no rule named — the builder's table does not hold this change

  • भाययेः + ताः → श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

    ः + त्

  • वलय + कुलिश → वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

    अ + क्

    no rule named — the builder's table does not hold this change

  • कुलिश + उद्घट्टन → वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

    अ + उ → ओ · falls inside the syllable शो

  • उद्घट्टन + उद्गीर्ण → वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

    अ + उ → ओ · falls inside the syllable नो

  • उद्गीर्ण + तोय → वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

    अ + त्

    no rule named — the builder's table does not hold this change

  • सुर + युवति → सुरयुवतयः

    अ + य्

    no rule named — the builder's table does not hold this change

  • यन्त्र + धारा → यन्त्रधारागृहत्वम्

    अ + ध्

    no rule named — the builder's table does not hold this change

  • धारा + गृह → यन्त्रधारागृहत्वम्

    आ + ग्

    no rule named — the builder's table does not hold this change

  • गृह + त्व → यन्त्रधारागृहत्वम्

    अ + त्

    no rule named — the builder's table does not hold this change

  • घर्म + लब्ध → घर्मलब्धस्य

    अ + ल्

    no rule named — the builder's table does not hold this change

  • क्रीडा + लोला → क्रीडालोलाः

    आ + ल्

    no rule named — the builder's table does not hold this change

  • श्रवण + परुष → श्रवणपरुषैः

    अ + प्

    no rule named — the builder's table does not hold this change

तत्रावश्यं merges अ with अ into a single long आ (6.1.101 अकः सवर्णे दीर्घः). तोयं नेष्यन्ति and त्वां सुरयुवतयः hold the accusative म् as अनुस्वार before the following consonant (8.3.23, 8.4.59). मोक्षस्तव and भाययेस्ताः turn a visarga to स् before the त् of the next word (8.3.34 विसर्जनीयस्य सः). सुरयुवतयो यन्त्र and ताभ्यो मोक्षः are the block’s unnamed visarga joins — अः before a voiced sound giving ओ, the change the builder leaves null because the same ओ can come of a रेफ or a रुत्व stem.

  • Chinnaya Sūri, Bālavyākaraṇam — సంధిపరిచ్ఛేదము; vendor/balavyakaranam-sandhi.txt
  • त्वाम् द्वितीया · accusative — कर्म, the object

    with वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

  • सुरयुवतयः प्रथमा · nominative — कर्ता, the agent

  • यन्त्रधारागृहत्वम् द्वितीया · accusative — द्विकर्मणि द्वितीया — the second accusative of नी, ‘lead you into the state of a shower-house’, not an accusative of the plain object

    नी, ‘to lead,’ is one of the verbs that take two accusatives — the thing led and the state it is led into. त्वाम् is the first, यन्त्रधारागृहत्वम् the second. Mallinātha reads it so, तं त्वां … यन्त्रधारागृहत्वं कृत्रिमधारागृहत्वं नेष्यन्ति प्रापयिष्यन्ति, ‘they will lead you, will bring you, to the state of an artificial shower-house.’ So the goddesses do not lead you somewhere; they lead you into being something — a यन्त्र, a contrivance, that rains on them at their play.

    • Mallinātha, Sañjīvinī — 1.63: taṃ tvāṃ … yantradhārāgṛhatvaṃ neṣyanti prāpayiṣyanti
  • ताभ्यः पञ्चमी · ablative — मोक्षयोगे अपादाने पञ्चमी — an ablative of what one is freed from, ‘release from them’, not an ablative of departure

    The default sense of the fifth case is अपादान, the point moved away from; here the point is the thing one is set free of. मोक्ष, ‘release,’ governs the ablative for what the release is from, and that is ताभ्यः, the god-women. Mallinātha reads it plainly, तव ताभ्यः सुरयुवतिभ्यो मोक्षो न स्याद्यदि, ‘if there be for you no release from them, the god-women’ — so the ablative names the captors, and the whole condition is: if they will not let you go.

    • Mallinātha, Sañjīvinī — 1.63: tava tābhyaḥ surayuvatibhyo mokṣo na syād yadi
  • मोक्षः प्रथमा · nominative — कर्ता, the agent

  • तव षष्ठी · genitive — सम्बन्ध, a relation to another word

    with घर्मलब्धस्य

  • सखे सम्बोधन · vocative — the one addressed

  • गर्जितैः तृतीया · instrumental — करण, the instrument or cause

    with श्रवणपरुषैः

  • ताः द्वितीया · accusative — कर्म, the object

    with क्रीडालोलाः

प्रकरण 1 · हलन्त्यम्

प्रकरण 2 · इको यणचि

प्रकरण 3 · स्तोः श्चुना श्चुः

प्रकरण 4 · वा शरि

  • ससजुषो रुः 8.2.66← सुरयुवतयः; ताभ्यः; मोक्षः; क्रीडालोलाः; श्रवणपरुषैः; गर्जितैः; भाययेः; ताः

प्रकरण 5 · अर्थवदधातुरप्रत्ययः प्रातिपदिकम्

प्रकरण 7 · अतोऽम्

प्रकरण 8 · हो ढः

प्रकरण 12 · लः कर्मणि च भावे चाकर्मकेभ्यः

प्रकरण 13 · अदिप्रभृतिभ्यः शपः

प्रकरण 22 · स्वतन्त्रः कर्ता

प्रकरण 34 · ण्वुल्तृचौ

प्रकरण 59 · इवे प्रतिकृतौ

प्रकरण 60 · स्त्रियाम्

not in the abridgement

  • अ अ 8.4.68← नेष्यन्ति; घर्मलब्धस्य; भाययेः

वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

वलय · कुलिश · उद्घट्टन · उद्गीर्ण · तोय

  1. वलयानां कुलिशानि

    तत्पुरुष (genitive) — the thunderbolt-points of their bangles

  2. वलयकुलिशैः उद्घट्टनानि

    तत्पुरुष (instrumental) — the blows struck with them

  3. उद्घट्टनैः उद्गीर्णं तोयम्

    तत्पुरुष (instrumental) — the water forced out by those blows

  4. उद्गीर्णतोयं यस्मात् सः

    बहुव्रीहि — the cloud out of whom the water is forced

बहुव्रीहि — it refers to त्वाम्. with the water pounded out of you by the hard edges of their bangles — four members deep, and Mallinātha stops at the second to say that one of them does not mean what it says. कुलिश is the vajra, Indra's thunderbolt, and no bangle has a thunderbolt on it. His note is exact: शतकोटिवाचिना कुलिशशब्देन कोटिमात्रं लक्ष्यते — 'by the word कुलिश, which denotes the hundred-pointed one, mere *point* is indicated.' शतकोटि, hundred-edged, is a name of the vajra; लक्ष्यते is the passive of √लक्ष् and names the mechanism, lakṣaṇā — the power a word has to reach a neighbouring sense when its own will not sit. So the bangles do not carry thunderbolts; they carry the one property the thunderbolt is named for, its edge. **This is not a figure and he does not call it one.** A figure is something the poet does with the sense; lakṣaṇā is how a word gets a sense at all, and the commentary is here doing lexicography rather than criticism. He then glosses the two verbal members plainly — उद्घट्टनानि प्रहाराः, blows; उद्गीर्णम् उत्सृष्टम्, ejected — and closes the bahuvrīhi with येन तं त्वाम्, 'you, by whom'

uncheckedMallinātha, Sañjīvinī, who glosses वलयकुलिशानि with कङ्कणकोटयः, names the indication by which कुलिश means a point, glosses उद्घट्टन with प्रहार and उद्गीर्ण with उत्सृष्ट, and closes the bahuvrīhi with येन तं त्वाम्. `vendor/meghaduta-sanjivini.itx` prints `uddhaTTanAni` for उद्घट्टनानि and `udrIrNam` for उद्गीर्णम्, two damaged clusters in one line, and both are read through“surayuvatayo valayakuliśāni kaṅkaṇakoṭayaḥ || “śatakoṭivācinā kuliśaśabdena koṭimātraṃ lakṣyate” || tairuddhaṭṭanāni prahārāstairudgīrṇamutsṛṣṭaṃ toyaṃ yena taṃ tvāṃ”

सुरयुवतयः

सुर · युवति

  1. सुराणां युवतयः

    तत्पुरुष (genitive) — the young women of the gods

तत्पुरुष. the sky-women — Mallinātha carries the compound over unglossed and then declines it twice in his own prose, सुरयुवतयः for the subject and सुरयुवतिभ्यः for the ablative the verse writes as ताभ्यः. That is the whole of his help here: he does not say who they are or what they are doing on Kailāsa, because the next word says it. युवति is a young woman by age rather than by rank, and the compound puts a crowd of them on a mountain that has had only Śiva and Gaurī on it for two stanzas

uncheckedMallinātha, Sañjīvinī, who carries the compound over and writes out सुरयुवतिभ्यः where the verse has ताभ्यः“avaśyaṃ sarvathā surayuvatayo … tava tābhyaḥ surayuvatibhyo mokṣo na syād”

यन्त्रधारागृहत्वम्

यन्त्र · धारा · गृह · त्व

  1. यन्त्रेषु धाराः

    तत्पुरुष (locative) — jets that stand in engines

  2. यन्त्रधाराणां गृहम्

    तत्पुरुष (genitive) — the house those jets belong to

तत्पुरुष. the being-a-fountain-house — and Mallinātha builds it from the inside out in one breath: यन्त्रेषु धारा यन्त्रधारास्तासां गृहत्वम्. A यन्त्र is a contrivance, a machine; a धारा is a falling stream; a धारागृह is the room a rich house has where water is made to fall through pipes, a shower-bath. Then his gloss adds the word that carries the joke — कृत्रिमधारागृहत्वम्, 'the being of an *artificial* shower-house'. The cloud is the real thing, water falling from above, and what the sky-women will make of it is the manufactured version of itself. The last member is the affix त्व, the abstract, exactly as at 1.62's सोपानत्वम्, and the two stanzas ask the same grammatical favour one after the other: not build a thing, but be one

uncheckedMallinātha, Sañjīvinī, who gives both inner vigrahas and glosses the whole with कृत्रिमधारागृहत्वम्“yantreṣu dhārā yantradhārāstāsāṃ gṛhatvaṃ kṛtrimadhārāgṛhatvaṃ neṣyanti prāpayiṣyanti”

घर्मलब्धस्य

घर्म · लब्ध

  1. घर्मे लब्धः

    तत्पुरुष (locative) — got hold of in the hot season

तत्पुरुष — it agrees with तव. come by in the heat — घर्मे निदाघे लब्धस्य, 'got in the हर्म, that is, in the summer'. The genitive goes with तव: it is the cloud that was come by in the hot weather. **Mallinātha then asks a question the verse does not raise and answers it twice.** How can anything be *got in the heat* on Kailāsa, where the seasons do not run as they do below? Either, he says, because in the lands of the gods every season is gathered together at all times — देवभूमिषु सर्वदा सर्वर्तुसमाहारात् — or because this is a first cloud of the rains, प्राथमिकमेघत्वात्. And for the second he quotes: आषाढस्य प्रथम—, 'on the first day of Āṣāḍha'. That is this poem's own second stanza, the line on which the yakṣa first saw the cloud. The commentary reaches sixty-one stanzas back into the text it is commenting on and uses it as its authority

uncheckedMallinātha, Sañjīvinī, who glosses घर्म with निदाघ, offers the two reasons, and cites the pratīka आषाढस्य प्रथम— which is Meghadūta 1.2“gharme nidāghe labdhasya | gharmalabdhatvaṃ cāsya devabhūmiṣu sarvadā sarvartusamāhārāt prāthamikameghatvādvā | yathoktaṃ “āṣāḍhasya prathama—” iti”

क्रीडालोलाः

क्रीडा · लोला

  1. क्रीडायाम् आसक्ताः

    तत्पुरुष (locative) — fastened on their play

तत्पुरुष — it agrees with ताः. wild with play — and Mallinātha glosses it twice, which is how he marks a word whose plain sense is not the point. First क्रीडासक्ताः, attached to play, which is only the compound said again; then प्रमत्ता इत्यर्थः, 'heedless, is the meaning'. That second gloss is the one that licenses the fourth pāda. The cloud is not being told to frighten women who are tormenting it on purpose; it is being told that they are too far gone in their game to let it go, and that a shout is what it takes to break the game. लोल is from √लुल्, to move to and fro, so the word is restless before it is eager

uncheckedMallinātha, Sañjīvinī, who glosses it क्रीडासक्ताः and then प्रमत्ता इत्यर्थः“tadā krīḍālolāḥ krīḍāsaktāḥ | pramattā ityarthaḥ”

श्रवणपरुषैः

श्रवण · परुष

  1. श्रवणे परुषाणि

    तत्पुरुष (locative) — rough in the hearing

तत्पुरुष — it agrees with गर्जितैः. harsh to hear — glossed कर्णकटुभिः, 'bitter in the ear', which settles the case of the first member by putting a plain locative word in its place: कर्ण is the ear, and a thing is कटु *in* it. परुष is rough to the touch first — of bark, of cloth — and the compound moves the roughness to a sense that has no touch in it. **The cloud's thunder has been asked for twice before in this stretch and neither time for this.** At 1.46 it was to make a peacock dance and at 1.61 the mountain gave it back as an echo; here it is a weapon, and the same word गर्जित carries all three

uncheckedMallinātha, Sañjīvinī, who glosses श्रवणपरुषैः with कर्णकटुभिः“śravaṇaparuṣaiḥ karṇakaṭubhirgarjitaiḥ”

  • अव्यय

    तत्र

    printed तत्रावश्यं

    तत्र

    there — glossed तत्र कैलासे, and that is the fourth stanza running in which the commentary has had to write the mountain's name because the poem will not. 1.60 named it, 1.61 pointed at it with तस्य, 1.62 with तस्मिन्, and now an adverb of place with no place in it. तत्र is तद् with the affix त्रल्, the pronoun turned into a where

  • अव्यय

    अवश्यम्

    printed तत्रावश्यं

    अवश्यम्

    without fail — glossed सर्वथा, in every way. The word is a frozen accusative of अवश्य, 'not to be subdued', from वश् with the negative: what cannot be got round. It is the yakṣa telling the cloud what is going to happen to it whatever it does, and the whole second half of the stanza is the concession that follows from that

  • a-stem masculine, द्वितीया एकवचन accusative singular

    वलयकुलिशोद्घट्टनोद्गीर्णतोयम्

    printed वलयकुलिशोद्घट्टनोग्दीर्णतोयं

    तोय

    water — the last member of a bahuvrīhi describing त्वाम्, so it takes the masculine and the second case from the cloud. तोय is a neuter noun on its own account, and nothing on the page shows the change: an a-stem gives तोयम् for the accusative singular masculine and for the nominative and accusative singular neuter alike. That is the second time in two stanzas the corpus meets this — वपुः stood the same way at 1.62 — and both times the compound's gender is settled by what it describes rather than by anything visible. **The printed text has the cluster the wrong way round.** `text.md` reads उग्दीर्ण, ग् before द्, and the word is उद्गीर्ण, उद् + √गॄ: the corpus itself prints it correctly at 1.20 and at 1.34, where जालोद्गीर्णैः is the same participle of the same root. DCS reads उद्गीर्ण in its tags and Mallinātha glosses उत्सृष्टम्, ejected, which only उद्गीर्ण can mean. The metre does not catch it, because both spellings close the syllable before them and both scan; only the sense does. The word is neuter as a noun and takes the masculine endings here

    वलयकुलिशोद्घट्टनोद्गीर्णतोयम्, “your water spouted out by the striking of their bracelet-edges,” is how the shower-bath works. Mallinātha reads कुलिश, ‘thunderbolt,’ by transfer for anything with sharp points, शतकोटिवाचिना कुलिशशब्देन कोटिमात्रं लक्ष्यते, “by कुलिश, which names the hundred-edged bolt, the mere edge is meant” — here the corners of the women’s bangles. उद्घट्टन is the striking, उद्गीर्ण the spouting: they slap the cloud and it jets water, like a fountain worked by hand. So the goddesses at play beat the captive cloud into a rain-machine.

    • Mallinātha, Sañjīvinī — 1.63: śatakoṭivācinā kuliśaśabdena koṭimātraṃ lakṣyate
  • √नी, class 1, लृट्, parasmaipada, third person plural

    नेष्यन्ति

    √नी

    will bring — glossed प्रापयिष्यन्ति, will cause to reach, which turns the simple verb into a causative to say what it means: √नी takes two accusatives, त्वाम् and यन्त्रधारागृहत्वम्, and the second is what the first is brought to. This is the first plain future of the stretch — six stanzas of optatives and one imperative — and it is not addressed to the cloud. It is the yakṣa telling the cloud what others will do to it, and the mood changes because the subject does

  • pronoun, द्वितीया एकवचन accusative singular

    त्वाम्

    printed त्वां

    युष्मद्

    you — the object, and the head the bahuvrīhi of the first pāda is looking for. Mallinātha writes येन तं त्वाम् to close that compound, supplying the correlative the verse leaves to be understood. The cloud has been addressed as भवान् and as त्वम् through this stretch and it is in the accusative here for the first time in several stanzas: this is the one instruction in which it is done to rather than doing

  • i-stem feminine, प्रथमा बहुवचन nominative plural

    सुरयुवतयः

    printed सुरयुवतयो

    युवति

    young women — the subject, and the only nominative in the stanza's first half. युवति is the feminine of युवन्, young, made with the affix ति rather than by lengthening; the alternative युवती exists and the verse does not use it, because this one declines as a short i-stem and the metre wants a light syllable where युवती would give a heavy one. The nominative plural is a cell in which the short feminine i-stem and the नदी pattern do not part, so the generated table has it right

  • a-stem neuter, द्वितीया एकवचन accusative singular

    यन्त्रधारागृहत्वम्

    यन्त्रधारागृहत्व, from यन्त्रधारागृह

    the state of being a fountain-house — the second accusative of नेष्यन्ति, and the second abstract in त्व in two stanzas. 1.62 asked the cloud for सोपानत्वम् and this one tells it it will be brought to यन्त्रधारागृहत्वम्, and the pair is worth holding together: in the first the cloud is asked to become something, in the second it is made into something. The grammar is identical and the voice is not. त्व attaches to any nominal and makes the having-of-that-nature, which is how Sanskrit says 'turn X into Y' without a verb for turning

  • pronoun, पञ्चमी बहुवचन ablative plural

    ताभ्यः

    printed ताभ्यो

    तद्

    from them — the ablative of separation, governed by मोक्षः: release *from* is what the fifth case is for. Mallinātha writes the noun back in where the verse has only the pronoun, ताभ्यः सुरयुवतिभ्यः, which is the same service he did for तस्मिन् at 1.62. The form is one an ordinary a-stem feminine would share — ताभ्यः is both ablative and dative plural — and only मोक्ष decides which

  • a-stem masculine, प्रथमा एकवचन nominative singular

    मोक्षः

    printed मोक्षस्तव

    मोक्ष

    escape — the subject of स्यात्, and Sanskrit's ordinary way of putting what English puts in a verb: not 'if you cannot escape' but 'if escape should not be'. मोक्ष is √मुच् with घञ्, the letting-go taken as a noun. The word carries the whole weight of the religious vocabulary elsewhere and none of it here; what it means in this stanza is getting away from a crowd of women who will not let go of a cloud

  • pronoun, षष्ठी एकवचन genitive singular

    तव

    printed मोक्षस्तव

    युष्मद्

    your — the genitive of the one who would do the escaping, which is what a sixth case does when it stands beside an action-noun: मोक्षस्तव is the escape that would be yours to make. घर्मलब्धस्य agrees with it across two words, so the pronoun carries an epithet the length of a compound

  • अव्यय

    यदि

    यदि

    if — and Mallinātha supplies the answering word for the third stanza in six: तदा here, तर्हि at 1.62, तर्हि again at 1.58 for चेत्. Three conditions in six stanzas, all with the second half left out, all filled in by the commentary — and the word he supplies is not the same one each time, which is the useful part. Sanskrit has several and the verse has none, so what the commentary is doing is choosing rather than restoring

  • i-stem masculine, सम्बोधन एकवचन vocative singular

    सखे

    सखि

    friend — the third time in the canto, after 1.22 and 1.43, and the first time it stands inside a clause rather than opening the address. It falls at the caesura of the third pāda, between the condition's subject and its verb, where a spoken aside would fall. Mallinātha glosses it हे सखे मित्र, adding both the particle of address and a plainer word for friend, which he did not do either of the first two times. सखि is irregular everywhere but here: it takes अनङ् before the strong endings and gives सखा, सखायम्, सख्या, and the vocative singular is the one cell excepted

  • √लभ् + क्त, षष्ठी एकवचन genitive singular

    घर्मलब्धस्य

    लब्ध, from √लभ्

    got — the past participle of √लभ्, to obtain, and its subject is not in the stanza: somebody got the cloud, and the somebody is the yakṣa, who found it on a hilltop at 1.2. The क्त of √लभ् is passive, so the participle describes what was got rather than who got it, and the genitive ties it to तव. Mallinātha spends more on this word than on any other in the verse, because घर्म in it has to be squared with a mountain where the seasons do not run

    घर्मलब्धस्य, “found in the summer heat,” tells why the cloud is prized and held: it is a rarity got hold of just when the heat is worst. Mallinātha glosses घर्मे निदाघे लब्धस्य, ‘found in the hot season,’ and raises the objection a careful reader would — how is a cloud a summer thing? — answering it two ways: गर्मलब्धत्वं चास्य देवभूमिषु सर्वदा सर्वर्तुसमाहारात्प्रथमिकमेघत्वाद्वा, “either because in the lands of the gods all seasons stand together always, or because it is the very first cloud” of the rains, met before its season. Either way the god-women, starved of cloud, will not lightly let this one go.

    • Mallinātha, Sañjīvinī — 1.63: gharme nidāghe labdhasya; sarvartusamāhārāt prathamikameghatvād vā
  • अव्यय

    न

    न

    not — negating स्यात् and standing immediately before it, which is where the particle goes when it denies the verb rather than a word in the clause. The condition is a negative one, and that is what makes the fourth pāda a last resort: the cloud shouts only if nothing else has worked

  • √अस्, class 2, विधिलिङ्, parasmaipada, third person singular

    स्यात्

    √अस्

    should be — the same form in the same office as at 1.58: the optative of a condition's if-half, where the mood carries no command and no wish, only the supposition. √अस् loses its अ before the endings of this mood and gives स्यात्, which is why the commonest verb in the language has one of the least recognisable optatives

  • ā-stem feminine, द्वितीया बहुवचन accusative plural

    क्रीडालोलाः

    लोला, the feminine of लोल

    restless — the adjective agrees with ताः, the object of भाययेः, and it is in the accusative although it opens the pāda and reads at first like a subject. लोल is an a-stem in the masculine and takes ā for the feminine, so the word declines in a class its own entry does not name — the same move दत्तहस्ता made at 1.62, and the second time in two stanzas that a compound's last member changes stem-class to agree with a woman

  • a-stem neuter, तृतीया बहुवचन instrumental plural

    श्रवणपरुषैः

    printed श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

    परुष

    harsh — agreeing with गर्जितैः and taking its neuter, its number and its case. परुष is rough of surface: rough bark, rough cloth, and by extension a rough word. Putting it on a sound is the compound's work rather than the adjective's, and Mallinātha's कर्णकटु does the same thing with a word for taste

  • a-stem neuter, तृतीया बहुवचन instrumental plural

    गर्जितैः

    printed श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

    गर्जित, from √गर्ज्

    with roars — a past participle of √गर्ज् used as a neuter noun, the thundering taken as a thing, and the plural counts the peals. **Mallinātha's gloss on this word is one syllable of grammar and it decides the last word of the stanza**: करणैः, 'as instruments'. The third case has several offices and he names this one — the instrument, the thing by which the action is done — and it is the naming of it that makes his closing note about भाययेः follow. The same word stood at 1.61, where the mountain gave the roars back as an echo, and at 1.46, where they set a peacock dancing

  • √भी with णिच्, class 3, विधिलिङ्, parasmaipada, second person singular

    भाययेः

    printed श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

    √भी with णिच्

    frighten them — glossed त्रासयेः, the causative of another root for fear, which is Mallinātha swapping a verb with a rule attached to it for one without. **He then spends his last line on why this form looks the way it does**, and the whole of it is one clause: अत्र हेतुभयाभावाद् आत्मनेपदं षुगागमश्च न — 'here, there being no fear-from-the-agent, neither the middle ending nor the षुक् augment applies.' हेतुभय is the term two of Pāṇini's rules share. 1.3.68 भीस्म्योर्हेतुभये puts the causative of √भी in the middle voice when the fear comes straight from the one who causes it; 7.3.40 भियो हेतुभये षुक् inserts ष् before the causative affix in the same case, which is what gives भीषयते. Mallinātha's point is that neither condition holds — and his own gloss on the word before is the reason. He called गर्जितैः करणैः, instruments: the fear comes from the roars and not from the cloud, so the cloud is not the हेतु of the fear, and both rules stand down. What is left is the ordinary causative: वृद्धि of the ई before णिच् by 7.2.115 अचो ञ्णिति gives भै, and 6.1.78 एचोऽयवायावः turns that ऐ into आय् before the affix's vowel — भाय्, then भायय्, then भाययेः. The आ that looks like a special form is only two general rules running in order

    भाययेः, “you may frighten,” is the causative of √भी, ‘to fear’ — ‘make afraid’ — and Mallinātha stops on two points of its form. He glosses it त्रासयेः, ‘you should scare,’ and then notes what the school expects and why it does not hold: अत्र हेतुभयाभावादात्मनेपदं षुगागमश्च न, “here, since there is no हेतुभय, neither the middle voice nor the augment षुक् applies.” When √भी’s causative means fear caused by the agent himself, the rules add षुक् (भीषयते) and the middle voice; here the cloud simply startles the women, not by being dreadful in itself, so the plain active भाययेः stands.

    • Mallinātha, Sañjīvinī — 1.63: bhāyayes trāsayeḥ; atra hetubhayābhāvād ātmanepadaṃ ṣugāgamaśca na
  • pronoun, द्वितीया बहुवचन accusative plural

    ताः

    printed श्रवणपरुषैर्गर्जितैर्भाययेस्ताः

    तद्

    them — the last word of the stanza and the object of its last verb, and Mallinātha again writes the noun back in: ताः सुरयुवतीः. The pronoun has now stood for the sky-women three times in two pādas, as ताभ्यः, as the head क्रीडालोलाः agrees with, and here; the verse names them once, in the second pāda, and never again

तत्र · अवश्यम् · सुरयुवतयः · वलयकुलिशोद्घट्टनोद्गीर्णतोयम् · त्वाम् · यन्त्रधारागृहत्वम् · नेष्यन्ति · सखे · घर्मलब्धस्य · तव · ताभ्यः · मोक्षः · न · स्यात् · यदि · तदा [supplied] · क्रीडालोलाः · ताः · श्रवणपरुषैः · गर्जितैः · भाययेः

uncheckedMallinātha, Sañjīvinī, whose commentary runs as anvaya. He pulls सुरयुवतयः forward to stand third, where the verse holds it to the middle of the second pāda, so that the subject is in hand before the four-member compound describing its object; and he supplies तदा, which the verse does not print, to answer यदि. In the second half he keeps the verse's own order, moving only सखे to the head of the clause“tatra kailāse'vaśyaṃ sarvathā surayuvatayo valayakuliśāni … yena taṃ tvāṃ … gṛhatvaṃ … neṣyanti prāpayiṣyanti || he sakhe mitra gharme nidāghe labdhasya … tava tābhyaḥ surayuvatibhyo mokṣo na syādyadi tadā krīḍālolāḥ … tāḥ surayuvatīḥ śravaṇaparuṣaiḥ karṇakaṭubhirgarjitaiḥ karaṇairbhāyayestrāsayeḥ”

the dependency structure

नेष्यन्ति · क्रिया — will lead, प्रापयिष्यन्ति; √नी in the future, the god-women turning the cloud into a shower-bath

सुरयुवतयः · कर्ता — the god-women, देवस्त्रियः; who play in the cloud

त्वाम् · कर्म — you, त्वाम्; the cloud they take hold of

वलयकुलिशोद्घट्टनोद्गीर्णतोयम् · agreeing with त्वाम् — your water spouted out by the striking of their bracelet-points, वलयकुलिशोद्घट्टनैरुद्गीर्णं तोयं यस्य

यन्त्रधारागृहत्वम् · द्वितीयकर्म of नेष्यन्ति — into the state of an artificial shower-house, यन्त्रधारागृहभावम्; the second object of ‘lead’

तत्र · क्रियाविशेषण — there, कैलासे; where it happens

अवश्यम् · क्रियाविशेषण — surely, सर्वथा; the thing is certain

भाययेः · क्रिया of the consequent — you may frighten, त्रासयेः; the causative of √भी, the advice if there is no escape

ताः · कर्म — those women, ताः सुरयुवतीः; whom to frighten

क्रीडालोलाः · agreeing with ताः — absorbed in their play, क्रीडासक्ताः; heedless, so needing a scare

गर्जितैः · करण — with thunder-claps, गर्जितैः; the means of the fright

श्रवणपरुषैः · agreeing with गर्जितैः — harsh to the ear, कर्णकटुभिः

स्यात् · क्रिया of the protasis — should there be, भवेत्; the condition यदि … न स्यात्

मोक्षः · कर्ता — release, मोक्षः; the escape that might not come

तव · षष्ठी — for you, तव; whose release

घर्मलब्धस्य · agreeing with तव — caught in the summer heat, ग्रीष्मे लब्धस्य; found by them in the heat

ताभ्यः · अपादान — from them, ताभ्यः सुरयुवतीभ्यः; whom to get free of

न · निषेध — not

यदि · सम्बन्धसूचकम् — if

तदा · correlative (supplied) — then, तर्हि; the answer to यदि

सखे · सम्बोधन — O friend, हे मित्र; the cloud addressed

uncheckedMallinātha’s Sañjīvinī for the anvaya and the reading; the Telugu drawn from Vedam Venkataraya Sastri’s Āndhra Meghasandeśam and the Bālānandinī. The verse has three finite verbs; the tree is rooted at the main नेष्यन्ति, with the यदि … तदा clause of स्यात् and भाययेः hung under भाययेः, तदा supplied as the analysis marks.

There, without fail, the sky-women will make a fountain-house of you — the water pounded out of you by the hard edges of their bangles. And if, friend, there is no getting away from them for you, who were come by in the hot weather, then frighten them out of their game with roars harsh in the ear. Mallinātha does three things under this stanza that the verse does not do for itself. He says that कुलिश, the word for Indra's thunderbolt, is not to be taken at its word: it is here by indication, and what it indicates is a hard edge, because a bangle has one and a thunderbolt is named for having a hundred. He asks how a cloud can be *got in the hot season* on a mountain where the seasons do not run as they do below, and answers it twice — either all seasons stand together always in the lands of the gods, or this is a first cloud of the rains — and for the second he quotes the poem's own second stanza, आषाढस्य प्रथम—, back at it. And he ends on a point of grammar that his own gloss has set up: गर्जितैः he calls करणैः, instruments, so the fear comes from the roars rather than from the cloud, so there is no हेतुभय, so the two rules that would have made the verb भीषयेथाः do not apply and it stands as भाययेः. He names no figure.

uncheckedthe reader's reading, following Mallinātha's gloss; the indication in कुलिश, the two reasons for घर्मलब्ध, the citation of 1.2 and the argument from करण to the voice of भाययेः are all his“śatakoṭivācinā kuliśaśabdena koṭimātraṃ lakṣyate … gharmalabdhatvaṃ cāsya devabhūmiṣu sarvadā sarvartusamāhārāt prāthamikameghatvādvā | yathoktaṃ “āṣāḍhasya prathama—” iti … garjitaiḥ karaṇairbhāyayestrāsayeḥ || atra hetubhayābhāvādātmanepadaṃ ṣugāgamaśca na”

There the god-women will surely lead you into the state of an artificial shower-house, your water jetting out under the strokes of their bracelet-edges. And, friend, if you — caught in the summer heat — get no release from them, then frighten those play-absorbed women with thunder harsh to the ear.

  • Mallinātha, Sañjīvinī — 1.63, whole-verse gloss

No figure is named for this verse by the commentary this reading follows, so none is shown.